Wednesday, August 31, 2016
Lawsuit Against DNC, Army Misplaces Trillions, #NoDAPL Bigger Than Expected
https://www.youtube.com/watch?v=WdvKKmgZilg
Why The TPP and TTIP Trade Deals May Now Be Dead In The Water
Monday, Aug 29, 2016, 9:08 pm
BY Kate Aronoff
The Trans-Atlantic Trade and
Investment Partnership (TTIP) is dead, at least according to Angela Merkel’s
second-in-command. And the Trans-Pacific Partnership (TPP) may not be far
behind.
German Vice Chancellor Sigmar
Gabriel said Sunday that
“negotiations with the United States have de facto failed, even though nobody
is really admitting it.” According to Gabriel, who also serves as his country’s
economy minister, negotiators from the European Union and United States have
failed—despite 14 rounds of talks—to align on any item out of 27 chapters being
discussed. Gabriel and his ministry are not directly involved in the
negotiations.
EU officials were quick to
downplay Sigmar’s statement, saying
they hoped to “close this deal by the end of the year.” But Gabriel isn’t the
first to cry foul on the TTIP, which, if enacted, would establish the world’s
largest free trade zone between the United States and the EU’s 28 member
states. In May, French negotiators threatened to block the agreement. U.S.
negotiators have also reportedly been angry over the passage of a similar
agreement between Canada and the EU, which included protections U.S.
negotiators don’t want included in the TTIP.
Sunday’s TTIP news comes
on the heels of Senate Majority Leader Mitch McConnell (R-Ky.) saying that the
Senate would not vote on the TPP in the upcoming lame-duck session of Congress.
(The Obama administration countered,
saying it still hopes to pass the deal before the next president takes office.)
Both trade announcements
follow years of protests on each side of the Atlantic to fight the TTIP and the
TPP, especially from unions and environmental groups.
"The fact that TTIP has
failed is testament to the hundreds of thousands of people who took to the
streets to protest against it, the three million people who signed a petition
calling for it to be scrapped, and the huge coalition of civil society groups,
trade unions, progressive politicians and activists who came together to stop
it,” writes
Kevin Smith of Global Justice Now, an organization that has worked to fight
TTIP in the United Kingdom.
While the TPP has become a lightning
rod for labor and other progressive organizations in the United States, the
TTIP has slipped mostly under the radar stateside. That’s partially because
talks over it, which began in 2013, have taken place almost entirely behind
closed doors. Among the proposals unearthed are provisions to open European
public services to U.S. businesses and to scale back online privacy
protections. European groups have also raised the concern that the deal could
send jobs from their continent to the United States, where trade unions and labor
protections are weaker than in the EU.
Like the TPP, the TTIP would
dismantle regulations in areas like banking and the environment by limiting
governments’ ability to impose rules on transnational corporations. Both trade
deals would further allow the investor-state dispute settlement system, which
permits corporations to sue states. (TransCanada Corp.—the Canadian company
behind the now-defunct Keystone XL oil pipeline—is currently seeking
$15 billion from Washington under a similar NAFTA provision for rejecting the
controversial project.)
Though both presidential
candidates in the United States have voiced their opposition to the TPP,
neither has said much about TTIP. Hillary Clinton changed her tune on the
former, which she pushed for as secretary of state. The move is largely seen as
a response to dedicated protests from unions and community groups that have
been mobilizing to stop the talks since they began, and as a reaction to the
fact that both her primary and general election opponents have spoken out
aggressively against so-called free trade agreements.
In a letter this
month, a coalition of progressive groups including Demand Progress and 350
Action called on Clinton to reject a vote on the TPP in the next session.
“Allowing a lame-duck vote,” they write, “would be a tacit admission that
corporate interests matter more than the will of the people.”
Beyond progressive
organizations’ fold, though, lies a growing bipartisan resentment of
NAFTA-style deals. A poll
released in April found that just 17 percent of Germans and 18 percent of
Americans support the TTIP—likely not enough to save deals like the TTIP and
TPP from a political climate that increasingly sees free trade agreements as
anything but free.
Kate Aronoff is a writing
fellow at In These Times covering the 2016 election and the politics of climate
change. Follow her on Twitter @katearonoff
Tuesday, August 30, 2016
Glenn Greenwald: Regardless of Trump, Journalists Must Do Their Homework and Investigate Clinton
http://www.truthdig.com/avbooth/item/glenn_greenwald_regardless_of_trump_journalists_must_20160829
Hillary and the Clinton Foundation: Exemplars of America’s Political Rot
August 29, 2016
Hillary Clinton may be
enjoying a comfortable lead in national
polls, but she is far from enjoying a comfortable night’s sleep given the
ever-widening maelstrom of scandals engulfing her presidential bid. And
while Clinton delights in bloviating about a decades-long “vast, right wing
conspiracy” against her, the fact is that it’s the Clinton political machine’s
long and storied track record of criminality, duplicity, and corruption that
haunts her like Lincoln’s ghost silently skulking through White House bedrooms.
The latest in a string of
embarrassing scandals is centered on the powerful Clinton Foundation, and the
obvious impropriety of its acceptance of large donations from foreign
governments (and wealthy individuals connected to them), especially those
governments universally recognized as oppressive dictatorships whose foreign
policy orientation places them squarely in the US orbit.
Of particular note are the
Gulf monarchies such as Saudi Arabia and Qatar whose massive donations belie
the fact that their oppression of women runs contradictory to Clinton’s
self-styled ‘feminism’ and belief “that the
rights of women and girls is the unfinished business of the 21st
Century.” Is collaborating with feudal monarchies whose subjugation of
women is the stuff of infamy really Clinton’s idea of feminism? Or, is it
rather that Clinton merely uses issues such as women’s rights as a dog whistle
for loyal liberals while groveling before the high councilors of the imperial
priesthood?
What the Clinton Foundation
hullabaloo really demonstrates is that Clinton’s will to power is
single-minded, entirely simpatico with the corruption of the
military-industrial-financial-surveillance complex; that she is a handmaiden
for, and member of, the ruling establishment; that Clinton represents the
marriage of all the worst aspects of the political class. In short, Clinton
is more than just corrupt, she is corruption personified.
Clinton’s Dirty Dealing and
Even Dirtier Laundry
In a hilariously pig-headed,
but rather telling, statement, former President Bill Clinton responded to
allegations of impropriety with the Clinton Foundation by saying,
“We’re trying to do good things…If there’s something wrong with creating jobs
and saving lives, I don’t know what it is. The people who gave the money knew
exactly what they were doing. I have nothing to say about it except that I’m
really proud.”
Leaving aside the fact that
such an arrogant comment demonstrates Bill Clinton’s complete contempt for
ethics and the basic standards of proper conduct, the salient point is that the
argument from the Clintons is that the foundation is inherently good, that it
helps people around the world, and that, as such, it can’t possibly be corrupt
and unethical. Where there’s smoke, there’s fire – except when it comes
to the Clintons who stand proudly enveloped in billowing clouds of smoke
swearing up and down that not only is there no fire, but anyone who mentions
the existence of flames is both a sexist and Trump-loving Putin stooge.
But indeed there is a fire,
and it is raging on the American political scene. And nowhere is the heat
more palpable than in the deserts of the Middle East where wealthy benefactors
write massive checks for access to America’s 21st Century Queen of Mean
(apologies to Leona Helmsley).
Consider the 2011
sale of $29 billion worth of advanced fighter jets to Saudi Arabia, a
gargantuan deal that made the feudal monarchy into an overnight air
power. Were there any doubts as to the uses of the hardware, look no
further than the humanitarian nightmare that is Yemen, a country under
relentless air war carried out by the Saudis. And, lo and behold, the
Saudis had been major contributors to the Clinton Foundation in the years
leading up to the sale. And it should be equally unsurprising that just weeks
before the deal was finalized, Boeing, the manufacturer of the F-15 jets that
were the centerpiece of the massive arms deal, donated
$900,000 to the Foundation.
Of course, according to Bubba
and Hil, it’s all conspiracy theory to suggest that the Clinton Foundation is
essentially a pay-for-play scheme in which large sums of money translate into
access to the uppermost echelons of state power in the US. As the
International Business Times noted:
The Saudi deal was one of
dozens of arms sales approved by Hillary Clinton’s State Department that placed
weapons in the hands of governments that had also donated money to the Clinton
family philanthropic empire…Under Clinton’s leadership, the State Department
approved $165 billion worth of commercial arms sales to 20 nations whose
governments have given money to the Clinton Foundation…That figure — derived
from the three full fiscal years of Clinton’s term as Secretary of State (from
October 2010 to September 2012) — represented nearly double the value of
American arms sales made to the those countries and approved by the State Department
during the same period of President George W. Bush’s second term.
The Clinton-led State
Department also authorized $151 billion of separate Pentagon-brokered deals for
16 of the countries that donated to the Clinton Foundation, resulting in a 143
percent increase in completed
sales to those nations over the same time frame during the Bush
administration. These extra sales were part of a broad increase in American
military exports that accompanied Obama’s arrival in the White House. The 143
percent increase in U.S. arms sales to Clinton Foundation donors compares to an
80 percent increase in such sales to all countries over the same time period.
Additionally, as Glenn
Greenwald explained earlier this year,
The Saudi regime by itself
has donated
between $10 million and $25 million to the Clinton Foundation, with
donations coming as late as 2014, as she prepared her presidential run. A group
called “Friends of Saudi Arabia,” co-founded
“by a Saudi Prince,” gave an additional amount between $1 million and
$5 million. The Clinton Foundation says that between $1 million and $5
million was
also donated by “the State of Qatar,” the United Arab Emirates, and the
government of Brunei. “The State of Kuwait” has
donated between $5 million and $10 million.
The sheer dollar amounts are
staggering. Perhaps then it comes as no surprise just why nearly every
single influential figure in the military-industrial-financial-surveillance
complex – from General
John Allen to death squad coordinator extraordinaire John
Negroponte, from neocon tapeworms such as Max
Boot, Robert
Kagan, and Eliot
Cohen to billionaire barbarocrats like the Koch
Brothers, George
Soros, and Warren
Buffett – is backing Hillary Clinton. Not only is she good for
Empire, she’s good for business. And ultimately, that’s what this is all
about, isn’t it?
But of course, Hillary’s devotion
to the oil oligarchs of Saudi Arabia and the Gulf goes much deeper than
simply an exchange of money for weapons. In fact, Hillary is deeply
committed to the Saudi royal family’s foreign policy outlook and tactics, in
particular the weaponization of terrorism as a means of achieving strategic
objectives.
Libya provides perhaps the
paragon of Clintonian-Saudi strategy: regime change by terrorism. Using
terror groups linked
to Al Qaeda and backed by Saudi Arabia, Clinton’s State Department and the
Obama Administration managed to topple the government of Muammar Gaddafi,
thereby throwing the former “jewel of Africa” into turmoil and political,
economic, and social devastation. To be fair, it was not the Saudis
alone involved in fomenting war in Libya, as Hillary’s
brothers-from-other-mothers in Qatar and the United Arab Emirates were also directly
involved in sowing the seeds of the current chaos in the country.
And of course, this strategic
partnership between Clinton and the Gangsters of the Gulf extends far beyond
Libya. In Syria, Clinton’s stated policies
of regime change and war are aligned with those of Riyadh, Doha, and Abu
Dhabi. And, of course, it was during Clinton’s tenure at the State
Department that US intelligence was involved in funneling
weapons and fighters into Syria in hopes of doing to Syria what had already
been done to Libya.
Huma Abedin: Clinton’s Woman
in Riyadh
Just in case all the political
and financial ties between Clinton and the Gulf monarchies wasn’t enough to
make people stop being #WithHer, perhaps the role of her closest adviser might
do the trick. Huma Abedin, Clinton’s campaign chief of staff, has
long-standing ties to Saudi Arabia, the country where Huma spent her childhood
from the age of two. As a Vanity
Fair exposé revealed earlier this year:
When Abedin was two years old,
the family moved to Jidda, Saudi Arabia, where, with the backing of Abdullah
Omar Nasseef, then the president of King Abdulaziz University, her father
founded the Institute of Muslim Minority Affairs, a think tank, and became the
first editor of its Journal of Muslim Minority Affairs…After [Abedin’s
father] Syed died, in 1993, his wife succeeded him as director of the institute
and editor of the Journal, positions she still holds… Abdullah Omar
Nasseef, the man who set up the Abedins in Jidda…is a high-ranking insider in
the Saudi government and sits on the king’s Shura Council, there are claims
that Nasseef once had ties to Osama bin Laden and al-Qaeda—a charge that he has
denied through a spokesman—and that he remains a “major” figure in the Muslim
Brotherhood. In his early years as the patron of the Abedins’ journal, Nasseef
was the secretary-general of the Muslim World League, which Andrew McCarthy,
the former assistant U.S. attorney who prosecuted the “Blind Sheik,” Omar Abdel
Rahman, in the wake of the 1993 World Trade Center bombing, claims “has long
been the Muslim Brotherhood’s principal vehicle for the international propagation
of Islamic supremacist ideology.”
Consider the implications of
this information: Clinton’s closest adviser comes from a family connected at
the highest levels with the Saudi royal family as well as the Muslim
Brotherhood. While right wing pundits portray the Muslim Brotherhood as
some sort of straightforward international terror organization, the reality is
much more complex as the Brotherhood is more an international political
movement whose tentacles stretch into nearly every corner of the Muslim world.
Its vast reserves of cash and political influence, backed by Gulf monarchies
such as Qatar, allows the Brotherhood to peddle influence throughout the West,
while also being connected to more radical salafist elements. An obvious
two-for-one for Clinton.
In effect then, Abedin
represents a bridge connecting Hillary with both the ruling elites in Riyadh,
as well as influential clerics, businesspeople, and political leaders
throughout the Middle East. Perhaps then it makes sense why Abedin, in
contravention of every standard of ethics, was employed
by Teneo Holdings – a pro-Clinton
consultancy founded by former Clinton aide Doug Band – while also working
for the State Department. Such ethical violations are as instinctive for
Hillary as breathing, or calling children superpredators.
Trump, Assange, Putin, and
Clinton’s Sleight of Hand
Despite being embroiled in
multiple scandals, any one of which being enough to sink the campaign of most
other candidates, Clinton and her army of fawning corporate media sycophants,
have attempted to deflect attention away from her own misdeeds, corruption, and
nefarious ties by instead portraying everyone who opposes them as puppets,
stooges, and useful idiots.
Let’s begin with Republican
nominee and gasbag deluxe, Donald Trump, who Clinton trolls have attempted
to portray as a stooge of Russian President Putin. While it’s
indeed quite likely that the Kremlin sees Trump as far less of a threat to
Russia’s interests than Clinton – just look at Clinton’s roster of neocon
psychopath supporters to see that Putin has a point – the notion that Trump is
somehow a creation of Putin, or at the very least is working for him is utterly
absurd.
And the “evidence”?
Trump’s connections with wealthy Russian oligarchs. I suppose those who
have made their homes under rocks these last 25 years might not know this, but
nearly every billionaire investor has gone to Russia in that time, forged ties
with influential Russians, and attempted to make money by stripping clean the
bones of what was once the Soviet Union. Sorry Naomi Klein, I guess the
Clintonistas expect no one to have read Shock Doctrine which details the sort
of disaster capitalism run amok that took place in Russia in the 1990s.
And then, of course, there’s
that great confabulator Julian Assange who has also been smeared
as a Putin puppet by the #ImWithHer media somnambulists. I guess the
lords of corporate capital didn’t like the fact that Assange and WikiLeaks have
managed to expose countless dirty deeds by Clinton’s Tammany Hall of the 21stCentury.
From using the DNC as a political appendage of the Clinton campaign (as
revealed by the WikiLeaks
dump of DNC emails) to his recent promise
to make public the “most interesting and serious” dirt on Hillary, Assange has
become a thorn in the side – or thumb in the eye, as it were – for Hillary.
And what would a rundown of
the specters haunting Clinton’s dreams be without mention of the rabid bear of
Russia, big bad Vlad? Clinton recently
referred to Putin as the “grand godfather of this global brand of extreme
nationalism.” Leaving aside the asinine phraseology, Clinton’s attacks on
Putin reveal the weakness of the Democratic nominee, the hollowness of her
arguments, and the unmitigated gall of a hypocrite for whom casting stones in
glass houses is second nature.
For, at the very moment that
she takes rhetorical swipes at Putin, Clinton herself is implicated in a
worldwide network of extremism that promotes terrorism, rains death and
destruction on millions of innocent civilians, and moves the world closer to
global conflict. If Putin represents the éminence grise of a “global
brand of extreme nationalism,” then Clinton is the fairy godmother of global
extremism and terror. It’s a good thing she has access to the best personal
grooming products Goldman Sachs money can buy as it is not easy to wash
decades-worth of blood off your hands.
And so, the quadrennial danse
macabre that is the US presidential election has turned into an embarrassing
sideshow of dull-witted infantilism. But amid the idiocy there is wanton
criminality and corruption to be exposed before the world. For while
Trump is undoubtedly the bearded lady of America’s freak show, Hillary is the
carnival barker.
She knows the ring toss and
other games are rigged, but she coaxes the feeble-minded to play
nonetheless. She knows the carnies are drunk and reckless, but she urges
the children to pay for another ride anyway. She understands that her job
is to sell a rigged game, and to call security when someone challenges her
lies. And, unfortunately, whether you want it or not, the Hillary Roadshow is
coming to a town, or country, near you.
Eric Draitser is the
founder of StopImperialism.org
and host of CounterPunch
Radio. He is an independent geopolitical analyst based in New York City.
You can reach him at ericdraitser@gmail.com.
REPETITION/S: Performance and Philosophy in Ljubljana
Program
REPETITION/S:
Performance and Philosophy in
Ljubljana
INTERNATIONAL CONFERENCE
University of Ljubljana –
Faculty of Arts
City Museum of Ljubljana
September 21 – 24, 2016
Organized by Gregor Moder,
Bara Kolenc, Anna Street, and Ben Hjorth, in partnership with the
Aufhebung – International Hegelian Association, the Museum and Galleries
of Ljubljana – City Museum of Ljubljana, the Research Centre of the
Slovenian Academy of Sciences and Arts, MG+MSUM, the Kino Šiška Centre for
Urban Culture, Kud Pozitiv, DIC, the Research Unit in European Philosophy
of Monash University, the University of Paris-Sorbonne and their research
laboratories PRITEPS and VALE, and the Performance Philosophy network.
Locations
FA = Faculty of Arts,
Aškerčeva 2
CM = City Museum, Gosposka 15
MMA = Museum of Modern Art,
Tomšičeva 14
FA002 = Faculty of Arts,
lecture theatre no. 2 on ground floor
FA415 = Faculty of Arts,
lecture room 415 on 4th floor
FA325 = Faculty of Arts,
lecture room 325 on 3rd floor
PTL = Dance Theatre Ljubljana,
Prijateljeva 2
KT = Kreatorij Theatre, DIC,
Poljanska 26
Pritličje = Pritličje bar, Mestni
trg 2
Wednesday, September 21st
6:00 – 7:30 Welcoming Event
7:30 – 8:00 Performance
Zupančič::Turšič::Živadinov
- AKTUATOR: 2016
Thursday, September 22nd
8:30 – 9:30 Registration and
coffee
9.30-10.00 Welcome by Predrag
Novaković (Vice-Dean of the Faculty of Arts) and opening remarks
10:00 – 11:00 Morning Lecture
Mladen Dolar (University
of Ljubljana)
“Staging Concepts”
“Staging Concepts”
11:00 – 11:30 Session Break
11:30 – 1:00 Parallel Sessions
I
Session 1 Comedy and tragedy
1/ Ramona Mosse (Free
University Berlin) and Anna Street (University of Paris – Sorbonne)
“Repetition in Tragedy and Comedy: Un/Masking the Surface”
“Repetition in Tragedy and Comedy: Un/Masking the Surface”
2/ Kate Katafiasz (Newman
University, Birmingham)
“Repetition Beyond, Or Behind, Representation”
“Repetition Beyond, Or Behind, Representation”
3/ Anna Bromley and Michael
Fesca (Artists)
“Sharing Jokes, Laughing, Grooving - Awkward Repetitions” (performance)
“Sharing Jokes, Laughing, Grooving - Awkward Repetitions” (performance)
Session 2 Repetition and
language
1/ Geoff Boucher (Deakin
University)
“Hysterically Funny: Austin After Lacan”
“Hysterically Funny: Austin After Lacan”
2/ Noah Holtwiesche (Neue
Wiener Gruppe/Lacan-Schule)
“To Be Announced” (performance lecture)
“To Be Announced” (performance lecture)
Session 3 Performing
deconstruction: ‘beyond’ representation
1/ Joel White (King's College
London)
“Le Théâtre de la cruauté et la clôture de la représentation”
“Le Théâtre de la cruauté et la clôture de la représentation”
2/ Angelika Seppi (Humboldt-Universität,
Berlin)
“Quasi-Mimetics and The Economy of Exchange”
“Quasi-Mimetics and The Economy of Exchange”
3/ Thomas Mercier (King’s
College, London)
“The Force of the Event: Queer Performativity and Repetition in Austin, Butler and Derrida”
“The Force of the Event: Queer Performativity and Repetition in Austin, Butler and Derrida”
1:00 – 2:30 Lunch Break
2:30 - 5:30 Workshop
Leja Jurišič
“Duration and repetition”
“Duration and repetition”
2:30 – 4:00 Parallel Sessions
II
Session 1 Nietzsche:
repetition/s of sovereignty and slavery
1/ Zohar Frank (Brown
University)
“Rehearsing Petitioning: Repetition and the Potential for Sovereignty”
“Rehearsing Petitioning: Repetition and the Potential for Sovereignty”
2/ Bree Wooten (European
Graduate School)
“Nietzsche: The Antichrist, After The Eternal Return”
“Nietzsche: The Antichrist, After The Eternal Return”
3/ Alireza Taheri (HamAva
Psychoanalytic Institute, Iran)
“From the Law as Representation to the Law as Repetition: Breaking the Spell of the Slave Revolt in Morality”
“From the Law as Representation to the Law as Repetition: Breaking the Spell of the Slave Revolt in Morality”
Session 2 Repetition/s of
political economy
1/ Mauricio Gonzalez
(Goethe-University in Frankfurt)
“Benjamin on Repetition and Freedom”
“Benjamin on Repetition and Freedom”
2/ Sami Khatib (American
University of Beirut)
“Anti-Sisyphus: Capitalism and Repetition”
“Anti-Sisyphus: Capitalism and Repetition”
3/ Clare Foster (University
College London)
“Recognition Capital”
“Recognition Capital”
Session 3 Repetition in
Dance
1/ Pia Brezavšček (University
of Ljubljana)
“Repeating the Unrepeatable Presence in Dance Improvisation”
“Repeating the Unrepeatable Presence in Dance Improvisation”
2/ Nina Bandi (Lucerne School
of Art and Design / Zurich University of the Arts)
“Non-Representation and Repetition: A Perspective on Algorithms, Derivatives and Dance”
“Non-Representation and Repetition: A Perspective on Algorithms, Derivatives and Dance”
3/ Timmy De Laet (University
of Antwerp, Belgium)
“Variations of Repetition: A Philosophical Reading of Jérôme Bel’s Citational Practice”
“Variations of Repetition: A Philosophical Reading of Jérôme Bel’s Citational Practice”
4/ Katarina Paramana
(Birkbeck, University of London)
“Returning to The Show: Repetition and the Construction of Spaces of Decision, Affect, and Creative Possibility”
“Returning to The Show: Repetition and the Construction of Spaces of Decision, Affect, and Creative Possibility”
4:00 – 4:30 Coffee Break
4:30 – 6:00 Parallel Sessions
III
Session 1 Repetition, genesis,
metamorphosis
1/ Stefan Apostolou-Hölscher
(Academy of Fine Arts, Munich)
“Dissonant Repetitions and the Idea of Genesis in Kant and Deleuze”
“Dissonant Repetitions and the Idea of Genesis in Kant and Deleuze”
2/ Jordan Skinner (Central
European University)
"Change and Repetition"
"Change and Repetition"
3/ Dragana Alfirević and Engin
Can (Artists)
“Are Made of This: Episode on Repetition and Transformation” (performance)
“Are Made of This: Episode on Repetition and Transformation” (performance)
Session 2 Word/Play:
Re-staging Shakespeare and Beckett
1/ Erik Bryngelsson and Karl
Sjölund (Yak Kallop)
“Until Hamlet” (performance)
“Until Hamlet” (performance)
2/ Martin Harries (University
of California, Irvine)
“Repeating Beckett’s Play”
“Repeating Beckett’s Play”
Session 3 Literary repetition/s
1/ Polona Tratnik (University
of Ljubljana)
“Hansel and Gretel: Repetition – Event – Context”
“Hansel and Gretel: Repetition – Event – Context”
2/ Nadia Bou Ali (American
University of Beirut)
“Jambe sur la Jambe or How Two Don’t Become One”
“Jambe sur la Jambe or How Two Don’t Become One”
3/ Eleonor Weber (Writer)
“Seeing Her Voices: Rehearsing
Alejandra Pizarnik” (performance lecture)
6:00 – 6:30 Session
Break
6:30 – 8:00 Evening
Conversation
Samo Tomšič (Humboldt
University Berlin) and
Oxana Timofeeva (European University at St Petersburg)
“Libidinal Economies of Crises”
Oxana Timofeeva (European University at St Petersburg)
“Libidinal Economies of Crises”
8:00 – 9:00 Dinner
8:30 – 10:00 Exhibition:
Retorika - The Moment After
Bara Kolenc (Artist) and Atej
Tutta (Artist)
Friday, September 23rd
9:30 – 10:00 Registration and
coffee
10:00 – 11:00 Morning
Lecture
Keti Chukhrov (Russian State
University for the Humanities)
"Repetition as the Performative syndrome of Crisis"
"Repetition as the Performative syndrome of Crisis"
11:00 – 11:30 Session
Break
11:30 – 1:00 Parallel Sessions
IV
Session 1 Repetition and ‘the
act’
1/ Amanda Holmes (Villanova
University)
2/ Jan Sieber (Universität der
Künste Berlin)
3/ Alexi Kukuljevic
(University of Applied Arts Vienna)
Session 2 The double and the
serial
1/ Bara Kolenc (University of
Ljubljana)
“The Four Matrices of Repetition: Deflation, Reformation, Inflation, Production”
“The Four Matrices of Repetition: Deflation, Reformation, Inflation, Production”
2/ Rachel Aumiller (Villanova
University, Oxford University)
“Twice Two: The Repetition of Nothing in Tetradic Dialect”
“Twice Two: The Repetition of Nothing in Tetradic Dialect”
3/ Kiri Sullivan (University
of Melbourne)
“Repetition and the Temporal Double in Cinema”
“Repetition and the Temporal Double in Cinema”
Session 3 Performing identity:
history repeating
1/ Micha Braun (Leipzig
University, Germany)
“Repetition and Recurrence: On Artefacts and Bodies as Agents of Differentiation in Contemporary Polish Visual Arts”
“Repetition and Recurrence: On Artefacts and Bodies as Agents of Differentiation in Contemporary Polish Visual Arts”
2/ Kseniya Kapelchuk (European
University in St. Petersburg)
“Repetition and Historicity: Change, Cycle, Revolution”
“Repetition and Historicity: Change, Cycle, Revolution”
3/ Dorota Sosnowska
(University of Warsaw Institute of Polish Culture)
“Halka/Haiti - White Archive, Black Body? Reenactment and Repetition in the Polish-Colonial Context”
“Halka/Haiti - White Archive, Black Body? Reenactment and Repetition in the Polish-Colonial Context”
Performance
D. Graham Burnett, Lucy
Partman, Matthew Strother & Nathaniel Whitfield (The Enacted Thought,
Princeton)
“Pulling Imaginary Teeth” (performance / improvised conversation)
“Pulling Imaginary Teeth” (performance / improvised conversation)
1:00 – 2:30 Lunch Break
2:30 – 4:00 Parallel
Sessions V
Session 1 Anatomy of a
Performer
1/ Philip Watkinson (Queen
Mary University of London)
“‘I will feel like the only keeper of the past’: Postdramatic Repetition and Deborah Pearson’s The Future Show”
“‘I will feel like the only keeper of the past’: Postdramatic Repetition and Deborah Pearson’s The Future Show”
2/ Richard Pettifer (Artist
& writer)
“Artist Development” (performance lecture)
“Artist Development” (performance lecture)
Session 2 Repetition and the
senses
1/ Serap Erincin (Louisiana
State University)
“Polaroid” (performance)
“Polaroid” (performance)
2/ Mirt Komel (University of
Ljubljana)
“Repeating Touch in the Town of Goga”
“Repeating Touch in the Town of Goga”
3/ Patrick Ward (Artist)
“Possibility of Foam” (audiovisual performance)
“Possibility of Foam” (audiovisual performance)
Session 3 Repetition and
death
1/ Tomaž Toporišič (University
of Ljubljana)
“The tensions between repetition and representation in contemporary theatre and drama (Oliver Frljić and Simona Semenič)”
“The tensions between repetition and representation in contemporary theatre and drama (Oliver Frljić and Simona Semenič)”
2/ Sandrine Schiller Hansen
(KU Leuven, Belgium)
“Juggling the Necrotic Bone: A Meditation on the Fate of Repetition and the Death Drive”
“Juggling the Necrotic Bone: A Meditation on the Fate of Repetition and the Death Drive”
3/ Naomi Toth (Université de
Paris Ouest Nanterre)
“Echoing Last Words”
“Echoing Last Words”
4:00 – 4:30 Coffee Break
4:30 – 6:00 Parallel Sessions
VI
Session 1 Performing
habit
1/ Gary Peters (York St John
University)
“Contraction and Contemplation: Deleuze and Malabou on Habit within the Context of Improvised Performance”
“Contraction and Contemplation: Deleuze and Malabou on Habit within the Context of Improvised Performance”
2/ Julie Reshe (Global Centre
of Advanced Studies, USA)
“Peculiarities Pursued with Fatigue and Passion”
“Peculiarities Pursued with Fatigue and Passion”
3/ Katja Kolšek (University of
Ljubljana)
“Repetition and Redoubling”
“Repetition and Redoubling”
Session 2 Remembering, repeating,
performing: psychoanalysis
1/ Michaela Wünsch (University
of Vienna)
“Repetition, Memory and Remembrance in Psychoanalysis and Art”
“Repetition, Memory and Remembrance in Psychoanalysis and Art”
2/ Jingchao Ma (Villanova
University)
“Return with the Other: Primary and Secondary Narcissism in Freud, Lacan, and Kristeva”
“Return with the Other: Primary and Secondary Narcissism in Freud, Lacan, and Kristeva”
3/ Michael Friedman (Humboldt
University in Berlin)
“On a Repetition Inscribed on a Torus: Beginning of a Lacanian Mathematics”
“On a Repetition Inscribed on a Torus: Beginning of a Lacanian Mathematics”
4/ Lucas Ballestín (New School
for Social Research, New York)
“Hipster Politics: Retreat, Repetition, and Disavowal”
“Hipster Politics: Retreat, Repetition, and Disavowal”
Performance & Discussion:
Repetition and the law
Vanessa Place (Artist, poet,
lawyer)
“Botched Execution” (vocal-sound performance)
“Botched Execution” (vocal-sound performance)
+ Morey Williams (Villanova
University)
“Repetition & Docility’s Undoing: The Failure of Disciplining Practices Performed On the Female Carceral Subject”
“Repetition & Docility’s Undoing: The Failure of Disciplining Practices Performed On the Female Carceral Subject”
Discussion moderated by Naomi
Toth (Université de Paris Ouest Nanterre)
6:00 – 6:30 Session
Break
6:30 – 8:00 Evening
Conversation
Andrew Benjamin (Monash University) and
Freddie Rokem (Tel Aviv
University)
“Repetition and Interruption: Benjamin and Brecht”
“Repetition and Interruption: Benjamin and Brecht”
Saturday, September 24th
9:30 – 10:00 Registration and
coffee
10:00 – 11:00 Morning
Lecture
Bojana Kunst (Justus Leibig University Giessen)
“The Loop of Time: Rhythm Politics and Contemporary Dance”
Bojana Kunst (Justus Leibig University Giessen)
“The Loop of Time: Rhythm Politics and Contemporary Dance”
11:00 – 11:30 Session
Break
11:30 – 1:00 Parallel Sessions
VII
Session 1 Repetition in
Kierkegaard
1/ Susan Bernstein (Brown
University)
“Reading and Writing in Kierkegaard – Repetition with Difference”
“Reading and Writing in Kierkegaard – Repetition with Difference”
2/ Tone Dandanell (Aarhus
University in Denmark)
“The Wonder of Repetition”
“The Wonder of Repetition”
3/ Michael O’Neill Burns
(University of the West of England, Bristol)
“What’s the Diff’rence? Repetition and Fracture in Kierkegaard, Lacan, and J Dilla”
“What’s the Diff’rence? Repetition and Fracture in Kierkegaard, Lacan, and J Dilla”
Session 2 Badiou and Žižek:
repeating Europe?
1/ Peter Klepec (Slovenian Academy
of Sciences and Arts)
“Badiou on Repetition”
“Badiou on Repetition”
2/ Sigi Jöttkandt (University
of New South Wales)
"’By a route obscure and lonely’: Repetition and Inscription in Europe's Dream-Land”
"’By a route obscure and lonely’: Repetition and Inscription in Europe's Dream-Land”
Session 3 "Re-Hegelize
yourselves!"
1/ Goran Vranešević
(University of Ljubljana)
“Of Dreams, Dogmas and Speculations”
“Of Dreams, Dogmas and Speculations”
2/ Ben Hjorth (Monash
University)
“'The curtain must eventually fall': from Kant’s theatre to Hegel’s performance”
“'The curtain must eventually fall': from Kant’s theatre to Hegel’s performance”
3/ Christopher Wallace (Monash
University)
“A Mouthful of Dissonance: The Way-Out [Ausweg] of the Way-Out [Ausgang] in Hegel”
“A Mouthful of Dissonance: The Way-Out [Ausweg] of the Way-Out [Ausgang] in Hegel”
11:30 – 12:30 & 1:00 –
2:00 Performance
Emilie Gallier (University of
Coventry) and Tilman Andris (Magician)
“Trouble Wit:Magic and Choreography at the Table”
“Trouble Wit:Magic and Choreography at the Table”
1:00 – 2:30 Lunch Break
2:30 – 4:30 Parallel Sessions
VIII
Session 1 Hegel, again
1/ Louis Hartnoll (Kingston
University)
“Hegel’s Aesthetic Overcoming of the ‘Bad Infinite’”
“Hegel’s Aesthetic Overcoming of the ‘Bad Infinite’”
2/ Søren Rosendal (Aarhus
University, Denmark)
“Poetico-Scientific Repetitions: What Hegel talks about when he talks about Truth”
“Poetico-Scientific Repetitions: What Hegel talks about when he talks about Truth”
3/ Rasmus Ugilt (Aarhus
University, Denmark)
“Hegel's Excess”
“Hegel's Excess”
4/ Gregor Moder (University of
Ljubljana)
“Hegel’s logic of pure being and the rhetorical repetition”
“Hegel’s logic of pure being and the rhetorical repetition”
Session 2 Repetition in new
media technologies
1/ Serap Erincin (Louisiana
State University)
“Phenomenologies of Performing Repetition: The Real, the Mediated, and the Multiplied in TWG’s Poor Theatre”
“Phenomenologies of Performing Repetition: The Real, the Mediated, and the Multiplied in TWG’s Poor Theatre”
2/ Katerina Vukovic
(University of Rijeka, Croatia)
“Repetition and a Machine”
“Repetition and a Machine”
3/ Mark Horváth (Eötvös Loránd
University) and Adam Lovasz (Eötvös Loránd University)
“Absentology Collective: Programming the Vicious Circle”
“Absentology Collective: Programming the Vicious Circle”
4/ Alfie Bown (HSMC, Hong
Kong)
“The PlayStation Dreamworld: Automatism and Videogames”
“The PlayStation Dreamworld: Automatism and Videogames”
Session 3 Performing
repetition
1/ Pamela Bianchi (University
of Paris 8)
“The Repetition of Difference: Time and Space in Contemporary Performance Art”
“The Repetition of Difference: Time and Space in Contemporary Performance Art”
2/ Mischa Twitchin (Queen
Mary, University of London)
“What Gets Differentiated – Or Repeated – In an ‘Ontology of Performance’?”
“What Gets Differentiated – Or Repeated – In an ‘Ontology of Performance’?”
3/ Eszter Horváth (Université
Pázmány Péter, Budapest)
“On Performance and Representation”
“On Performance and Representation”
4/ Jakob Rosendal (Aarhus
University, Denmark)
“Serial Girl – On the Repetition Compulsion of an Art Historical Motif”
“Serial Girl – On the Repetition Compulsion of an Art Historical Motif”
4:30 – 5:00 Coffee Break
5:00 – 6:30 Closing
Conversation
Alenka Zupančič Žerdin
(University of Ljubljana) and
Justin Clemens (University of
Melbourne)
“End of History, End of Art”
6:30 – 7:00 Closing
Cocktail
7:00 – 8:30 Dinner
Closing Performances
8:30 – 9:30 "The
Collected Works of Victor Bergman"
Romanie Harper, Brian Lipson, Aaron Orzech, James Paul (The Family)
Romanie Harper, Brian Lipson, Aaron Orzech, James Paul (The Family)
9:45 – 10:45 “Remake”
Gareth Davies, Thomas Henning, Eloïse Mignon, Eryn Jean Norvill (The Collective)
Gareth Davies, Thomas Henning, Eloïse Mignon, Eryn Jean Norvill (The Collective)
Ongoing program (September 22
through 24)
Kristina Hagström-Ståhl (Gothenburg
University)
“The Talking Cure" (sound installation)
“The Talking Cure" (sound installation)
fil ieropoulos (Buckinghamshire
New University)
“Quotedious” (video installation)
“Quotedious” (video installation)
Urban Ksaver Kmet (Researcher
& artist), Kai Simon Stöger (Dancer & choreographer)
& Jasmina Založnik (University of Aberdeen)
“B-Mapping” (performance workshop)
“B-Mapping” (performance workshop)
Luca Resta (Artist)
“Superposition” (performance / visual installation)
“Superposition” (performance / visual installation)
Subscribe to:
Posts (Atom)