Program
REPETITION/S:
Performance and Philosophy in
Ljubljana
INTERNATIONAL CONFERENCE
University of Ljubljana –
Faculty of Arts
City Museum of Ljubljana
September 21 – 24, 2016
Organized by Gregor Moder,
Bara Kolenc, Anna Street, and Ben Hjorth, in partnership with the
Aufhebung – International Hegelian Association, the Museum and Galleries
of Ljubljana – City Museum of Ljubljana, the Research Centre of the
Slovenian Academy of Sciences and Arts, MG+MSUM, the Kino Šiška Centre for
Urban Culture, Kud Pozitiv, DIC, the Research Unit in European Philosophy
of Monash University, the University of Paris-Sorbonne and their research
laboratories PRITEPS and VALE, and the Performance Philosophy network.
Locations
FA = Faculty of Arts,
Aškerčeva 2
CM = City Museum, Gosposka 15
MMA = Museum of Modern Art,
Tomšičeva 14
FA002 = Faculty of Arts,
lecture theatre no. 2 on ground floor
FA415 = Faculty of Arts,
lecture room 415 on 4th floor
FA325 = Faculty of Arts,
lecture room 325 on 3rd floor
PTL = Dance Theatre Ljubljana,
Prijateljeva 2
KT = Kreatorij Theatre, DIC,
Poljanska 26
Pritličje = Pritličje bar, Mestni
trg 2
Wednesday, September 21st
6:00 – 7:30 Welcoming Event
7:30 – 8:00 Performance
Zupančič::Turšič::Živadinov
- AKTUATOR: 2016
Thursday, September 22nd
8:30 – 9:30 Registration and
coffee
9.30-10.00 Welcome by Predrag
Novaković (Vice-Dean of the Faculty of Arts) and opening remarks
10:00 – 11:00 Morning Lecture
Mladen Dolar (University
of Ljubljana)
“Staging Concepts”
“Staging Concepts”
11:00 – 11:30 Session Break
11:30 – 1:00 Parallel Sessions
I
Session 1 Comedy and tragedy
1/ Ramona Mosse (Free
University Berlin) and Anna Street (University of Paris – Sorbonne)
“Repetition in Tragedy and Comedy: Un/Masking the Surface”
“Repetition in Tragedy and Comedy: Un/Masking the Surface”
2/ Kate Katafiasz (Newman
University, Birmingham)
“Repetition Beyond, Or Behind, Representation”
“Repetition Beyond, Or Behind, Representation”
3/ Anna Bromley and Michael
Fesca (Artists)
“Sharing Jokes, Laughing, Grooving - Awkward Repetitions” (performance)
“Sharing Jokes, Laughing, Grooving - Awkward Repetitions” (performance)
Session 2 Repetition and
language
1/ Geoff Boucher (Deakin
University)
“Hysterically Funny: Austin After Lacan”
“Hysterically Funny: Austin After Lacan”
2/ Noah Holtwiesche (Neue
Wiener Gruppe/Lacan-Schule)
“To Be Announced” (performance lecture)
“To Be Announced” (performance lecture)
Session 3 Performing
deconstruction: ‘beyond’ representation
1/ Joel White (King's College
London)
“Le Théâtre de la cruauté et la clôture de la représentation”
“Le Théâtre de la cruauté et la clôture de la représentation”
2/ Angelika Seppi (Humboldt-Universität,
Berlin)
“Quasi-Mimetics and The Economy of Exchange”
“Quasi-Mimetics and The Economy of Exchange”
3/ Thomas Mercier (King’s
College, London)
“The Force of the Event: Queer Performativity and Repetition in Austin, Butler and Derrida”
“The Force of the Event: Queer Performativity and Repetition in Austin, Butler and Derrida”
1:00 – 2:30 Lunch Break
2:30 - 5:30 Workshop
Leja Jurišič
“Duration and repetition”
“Duration and repetition”
2:30 – 4:00 Parallel Sessions
II
Session 1 Nietzsche:
repetition/s of sovereignty and slavery
1/ Zohar Frank (Brown
University)
“Rehearsing Petitioning: Repetition and the Potential for Sovereignty”
“Rehearsing Petitioning: Repetition and the Potential for Sovereignty”
2/ Bree Wooten (European
Graduate School)
“Nietzsche: The Antichrist, After The Eternal Return”
“Nietzsche: The Antichrist, After The Eternal Return”
3/ Alireza Taheri (HamAva
Psychoanalytic Institute, Iran)
“From the Law as Representation to the Law as Repetition: Breaking the Spell of the Slave Revolt in Morality”
“From the Law as Representation to the Law as Repetition: Breaking the Spell of the Slave Revolt in Morality”
Session 2 Repetition/s of
political economy
1/ Mauricio Gonzalez
(Goethe-University in Frankfurt)
“Benjamin on Repetition and Freedom”
“Benjamin on Repetition and Freedom”
2/ Sami Khatib (American
University of Beirut)
“Anti-Sisyphus: Capitalism and Repetition”
“Anti-Sisyphus: Capitalism and Repetition”
3/ Clare Foster (University
College London)
“Recognition Capital”
“Recognition Capital”
Session 3 Repetition in
Dance
1/ Pia Brezavšček (University
of Ljubljana)
“Repeating the Unrepeatable Presence in Dance Improvisation”
“Repeating the Unrepeatable Presence in Dance Improvisation”
2/ Nina Bandi (Lucerne School
of Art and Design / Zurich University of the Arts)
“Non-Representation and Repetition: A Perspective on Algorithms, Derivatives and Dance”
“Non-Representation and Repetition: A Perspective on Algorithms, Derivatives and Dance”
3/ Timmy De Laet (University
of Antwerp, Belgium)
“Variations of Repetition: A Philosophical Reading of Jérôme Bel’s Citational Practice”
“Variations of Repetition: A Philosophical Reading of Jérôme Bel’s Citational Practice”
4/ Katarina Paramana
(Birkbeck, University of London)
“Returning to The Show: Repetition and the Construction of Spaces of Decision, Affect, and Creative Possibility”
“Returning to The Show: Repetition and the Construction of Spaces of Decision, Affect, and Creative Possibility”
4:00 – 4:30 Coffee Break
4:30 – 6:00 Parallel Sessions
III
Session 1 Repetition, genesis,
metamorphosis
1/ Stefan Apostolou-Hölscher
(Academy of Fine Arts, Munich)
“Dissonant Repetitions and the Idea of Genesis in Kant and Deleuze”
“Dissonant Repetitions and the Idea of Genesis in Kant and Deleuze”
2/ Jordan Skinner (Central
European University)
"Change and Repetition"
"Change and Repetition"
3/ Dragana Alfirević and Engin
Can (Artists)
“Are Made of This: Episode on Repetition and Transformation” (performance)
“Are Made of This: Episode on Repetition and Transformation” (performance)
Session 2 Word/Play:
Re-staging Shakespeare and Beckett
1/ Erik Bryngelsson and Karl
Sjölund (Yak Kallop)
“Until Hamlet” (performance)
“Until Hamlet” (performance)
2/ Martin Harries (University
of California, Irvine)
“Repeating Beckett’s Play”
“Repeating Beckett’s Play”
Session 3 Literary repetition/s
1/ Polona Tratnik (University
of Ljubljana)
“Hansel and Gretel: Repetition – Event – Context”
“Hansel and Gretel: Repetition – Event – Context”
2/ Nadia Bou Ali (American
University of Beirut)
“Jambe sur la Jambe or How Two Don’t Become One”
“Jambe sur la Jambe or How Two Don’t Become One”
3/ Eleonor Weber (Writer)
“Seeing Her Voices: Rehearsing
Alejandra Pizarnik” (performance lecture)
6:00 – 6:30 Session
Break
6:30 – 8:00 Evening
Conversation
Samo Tomšič (Humboldt
University Berlin) and
Oxana Timofeeva (European University at St Petersburg)
“Libidinal Economies of Crises”
Oxana Timofeeva (European University at St Petersburg)
“Libidinal Economies of Crises”
8:00 – 9:00 Dinner
8:30 – 10:00 Exhibition:
Retorika - The Moment After
Bara Kolenc (Artist) and Atej
Tutta (Artist)
Friday, September 23rd
9:30 – 10:00 Registration and
coffee
10:00 – 11:00 Morning
Lecture
Keti Chukhrov (Russian State
University for the Humanities)
"Repetition as the Performative syndrome of Crisis"
"Repetition as the Performative syndrome of Crisis"
11:00 – 11:30 Session
Break
11:30 – 1:00 Parallel Sessions
IV
Session 1 Repetition and ‘the
act’
1/ Amanda Holmes (Villanova
University)
2/ Jan Sieber (Universität der
Künste Berlin)
3/ Alexi Kukuljevic
(University of Applied Arts Vienna)
Session 2 The double and the
serial
1/ Bara Kolenc (University of
Ljubljana)
“The Four Matrices of Repetition: Deflation, Reformation, Inflation, Production”
“The Four Matrices of Repetition: Deflation, Reformation, Inflation, Production”
2/ Rachel Aumiller (Villanova
University, Oxford University)
“Twice Two: The Repetition of Nothing in Tetradic Dialect”
“Twice Two: The Repetition of Nothing in Tetradic Dialect”
3/ Kiri Sullivan (University
of Melbourne)
“Repetition and the Temporal Double in Cinema”
“Repetition and the Temporal Double in Cinema”
Session 3 Performing identity:
history repeating
1/ Micha Braun (Leipzig
University, Germany)
“Repetition and Recurrence: On Artefacts and Bodies as Agents of Differentiation in Contemporary Polish Visual Arts”
“Repetition and Recurrence: On Artefacts and Bodies as Agents of Differentiation in Contemporary Polish Visual Arts”
2/ Kseniya Kapelchuk (European
University in St. Petersburg)
“Repetition and Historicity: Change, Cycle, Revolution”
“Repetition and Historicity: Change, Cycle, Revolution”
3/ Dorota Sosnowska
(University of Warsaw Institute of Polish Culture)
“Halka/Haiti - White Archive, Black Body? Reenactment and Repetition in the Polish-Colonial Context”
“Halka/Haiti - White Archive, Black Body? Reenactment and Repetition in the Polish-Colonial Context”
Performance
D. Graham Burnett, Lucy
Partman, Matthew Strother & Nathaniel Whitfield (The Enacted Thought,
Princeton)
“Pulling Imaginary Teeth” (performance / improvised conversation)
“Pulling Imaginary Teeth” (performance / improvised conversation)
1:00 – 2:30 Lunch Break
2:30 – 4:00 Parallel
Sessions V
Session 1 Anatomy of a
Performer
1/ Philip Watkinson (Queen
Mary University of London)
“‘I will feel like the only keeper of the past’: Postdramatic Repetition and Deborah Pearson’s The Future Show”
“‘I will feel like the only keeper of the past’: Postdramatic Repetition and Deborah Pearson’s The Future Show”
2/ Richard Pettifer (Artist
& writer)
“Artist Development” (performance lecture)
“Artist Development” (performance lecture)
Session 2 Repetition and the
senses
1/ Serap Erincin (Louisiana
State University)
“Polaroid” (performance)
“Polaroid” (performance)
2/ Mirt Komel (University of
Ljubljana)
“Repeating Touch in the Town of Goga”
“Repeating Touch in the Town of Goga”
3/ Patrick Ward (Artist)
“Possibility of Foam” (audiovisual performance)
“Possibility of Foam” (audiovisual performance)
Session 3 Repetition and
death
1/ Tomaž Toporišič (University
of Ljubljana)
“The tensions between repetition and representation in contemporary theatre and drama (Oliver Frljić and Simona Semenič)”
“The tensions between repetition and representation in contemporary theatre and drama (Oliver Frljić and Simona Semenič)”
2/ Sandrine Schiller Hansen
(KU Leuven, Belgium)
“Juggling the Necrotic Bone: A Meditation on the Fate of Repetition and the Death Drive”
“Juggling the Necrotic Bone: A Meditation on the Fate of Repetition and the Death Drive”
3/ Naomi Toth (Université de
Paris Ouest Nanterre)
“Echoing Last Words”
“Echoing Last Words”
4:00 – 4:30 Coffee Break
4:30 – 6:00 Parallel Sessions
VI
Session 1 Performing
habit
1/ Gary Peters (York St John
University)
“Contraction and Contemplation: Deleuze and Malabou on Habit within the Context of Improvised Performance”
“Contraction and Contemplation: Deleuze and Malabou on Habit within the Context of Improvised Performance”
2/ Julie Reshe (Global Centre
of Advanced Studies, USA)
“Peculiarities Pursued with Fatigue and Passion”
“Peculiarities Pursued with Fatigue and Passion”
3/ Katja Kolšek (University of
Ljubljana)
“Repetition and Redoubling”
“Repetition and Redoubling”
Session 2 Remembering, repeating,
performing: psychoanalysis
1/ Michaela Wünsch (University
of Vienna)
“Repetition, Memory and Remembrance in Psychoanalysis and Art”
“Repetition, Memory and Remembrance in Psychoanalysis and Art”
2/ Jingchao Ma (Villanova
University)
“Return with the Other: Primary and Secondary Narcissism in Freud, Lacan, and Kristeva”
“Return with the Other: Primary and Secondary Narcissism in Freud, Lacan, and Kristeva”
3/ Michael Friedman (Humboldt
University in Berlin)
“On a Repetition Inscribed on a Torus: Beginning of a Lacanian Mathematics”
“On a Repetition Inscribed on a Torus: Beginning of a Lacanian Mathematics”
4/ Lucas Ballestín (New School
for Social Research, New York)
“Hipster Politics: Retreat, Repetition, and Disavowal”
“Hipster Politics: Retreat, Repetition, and Disavowal”
Performance & Discussion:
Repetition and the law
Vanessa Place (Artist, poet,
lawyer)
“Botched Execution” (vocal-sound performance)
“Botched Execution” (vocal-sound performance)
+ Morey Williams (Villanova
University)
“Repetition & Docility’s Undoing: The Failure of Disciplining Practices Performed On the Female Carceral Subject”
“Repetition & Docility’s Undoing: The Failure of Disciplining Practices Performed On the Female Carceral Subject”
Discussion moderated by Naomi
Toth (Université de Paris Ouest Nanterre)
6:00 – 6:30 Session
Break
6:30 – 8:00 Evening
Conversation
Andrew Benjamin (Monash University) and
Freddie Rokem (Tel Aviv
University)
“Repetition and Interruption: Benjamin and Brecht”
“Repetition and Interruption: Benjamin and Brecht”
Saturday, September 24th
9:30 – 10:00 Registration and
coffee
10:00 – 11:00 Morning
Lecture
Bojana Kunst (Justus Leibig University Giessen)
“The Loop of Time: Rhythm Politics and Contemporary Dance”
Bojana Kunst (Justus Leibig University Giessen)
“The Loop of Time: Rhythm Politics and Contemporary Dance”
11:00 – 11:30 Session
Break
11:30 – 1:00 Parallel Sessions
VII
Session 1 Repetition in
Kierkegaard
1/ Susan Bernstein (Brown
University)
“Reading and Writing in Kierkegaard – Repetition with Difference”
“Reading and Writing in Kierkegaard – Repetition with Difference”
2/ Tone Dandanell (Aarhus
University in Denmark)
“The Wonder of Repetition”
“The Wonder of Repetition”
3/ Michael O’Neill Burns
(University of the West of England, Bristol)
“What’s the Diff’rence? Repetition and Fracture in Kierkegaard, Lacan, and J Dilla”
“What’s the Diff’rence? Repetition and Fracture in Kierkegaard, Lacan, and J Dilla”
Session 2 Badiou and Žižek:
repeating Europe?
1/ Peter Klepec (Slovenian Academy
of Sciences and Arts)
“Badiou on Repetition”
“Badiou on Repetition”
2/ Sigi Jöttkandt (University
of New South Wales)
"’By a route obscure and lonely’: Repetition and Inscription in Europe's Dream-Land”
"’By a route obscure and lonely’: Repetition and Inscription in Europe's Dream-Land”
Session 3 "Re-Hegelize
yourselves!"
1/ Goran Vranešević
(University of Ljubljana)
“Of Dreams, Dogmas and Speculations”
“Of Dreams, Dogmas and Speculations”
2/ Ben Hjorth (Monash
University)
“'The curtain must eventually fall': from Kant’s theatre to Hegel’s performance”
“'The curtain must eventually fall': from Kant’s theatre to Hegel’s performance”
3/ Christopher Wallace (Monash
University)
“A Mouthful of Dissonance: The Way-Out [Ausweg] of the Way-Out [Ausgang] in Hegel”
“A Mouthful of Dissonance: The Way-Out [Ausweg] of the Way-Out [Ausgang] in Hegel”
11:30 – 12:30 & 1:00 –
2:00 Performance
Emilie Gallier (University of
Coventry) and Tilman Andris (Magician)
“Trouble Wit:Magic and Choreography at the Table”
“Trouble Wit:Magic and Choreography at the Table”
1:00 – 2:30 Lunch Break
2:30 – 4:30 Parallel Sessions
VIII
Session 1 Hegel, again
1/ Louis Hartnoll (Kingston
University)
“Hegel’s Aesthetic Overcoming of the ‘Bad Infinite’”
“Hegel’s Aesthetic Overcoming of the ‘Bad Infinite’”
2/ Søren Rosendal (Aarhus
University, Denmark)
“Poetico-Scientific Repetitions: What Hegel talks about when he talks about Truth”
“Poetico-Scientific Repetitions: What Hegel talks about when he talks about Truth”
3/ Rasmus Ugilt (Aarhus
University, Denmark)
“Hegel's Excess”
“Hegel's Excess”
4/ Gregor Moder (University of
Ljubljana)
“Hegel’s logic of pure being and the rhetorical repetition”
“Hegel’s logic of pure being and the rhetorical repetition”
Session 2 Repetition in new
media technologies
1/ Serap Erincin (Louisiana
State University)
“Phenomenologies of Performing Repetition: The Real, the Mediated, and the Multiplied in TWG’s Poor Theatre”
“Phenomenologies of Performing Repetition: The Real, the Mediated, and the Multiplied in TWG’s Poor Theatre”
2/ Katerina Vukovic
(University of Rijeka, Croatia)
“Repetition and a Machine”
“Repetition and a Machine”
3/ Mark Horváth (Eötvös Loránd
University) and Adam Lovasz (Eötvös Loránd University)
“Absentology Collective: Programming the Vicious Circle”
“Absentology Collective: Programming the Vicious Circle”
4/ Alfie Bown (HSMC, Hong
Kong)
“The PlayStation Dreamworld: Automatism and Videogames”
“The PlayStation Dreamworld: Automatism and Videogames”
Session 3 Performing
repetition
1/ Pamela Bianchi (University
of Paris 8)
“The Repetition of Difference: Time and Space in Contemporary Performance Art”
“The Repetition of Difference: Time and Space in Contemporary Performance Art”
2/ Mischa Twitchin (Queen
Mary, University of London)
“What Gets Differentiated – Or Repeated – In an ‘Ontology of Performance’?”
“What Gets Differentiated – Or Repeated – In an ‘Ontology of Performance’?”
3/ Eszter Horváth (Université
Pázmány Péter, Budapest)
“On Performance and Representation”
“On Performance and Representation”
4/ Jakob Rosendal (Aarhus
University, Denmark)
“Serial Girl – On the Repetition Compulsion of an Art Historical Motif”
“Serial Girl – On the Repetition Compulsion of an Art Historical Motif”
4:30 – 5:00 Coffee Break
5:00 – 6:30 Closing
Conversation
Alenka Zupančič Žerdin
(University of Ljubljana) and
Justin Clemens (University of
Melbourne)
“End of History, End of Art”
6:30 – 7:00 Closing
Cocktail
7:00 – 8:30 Dinner
Closing Performances
8:30 – 9:30 "The
Collected Works of Victor Bergman"
Romanie Harper, Brian Lipson, Aaron Orzech, James Paul (The Family)
Romanie Harper, Brian Lipson, Aaron Orzech, James Paul (The Family)
9:45 – 10:45 “Remake”
Gareth Davies, Thomas Henning, Eloïse Mignon, Eryn Jean Norvill (The Collective)
Gareth Davies, Thomas Henning, Eloïse Mignon, Eryn Jean Norvill (The Collective)
Ongoing program (September 22
through 24)
Kristina Hagström-Ståhl (Gothenburg
University)
“The Talking Cure" (sound installation)
“The Talking Cure" (sound installation)
fil ieropoulos (Buckinghamshire
New University)
“Quotedious” (video installation)
“Quotedious” (video installation)
Urban Ksaver Kmet (Researcher
& artist), Kai Simon Stöger (Dancer & choreographer)
& Jasmina Založnik (University of Aberdeen)
“B-Mapping” (performance workshop)
“B-Mapping” (performance workshop)
Luca Resta (Artist)
“Superposition” (performance / visual installation)
“Superposition” (performance / visual installation)
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