Slavoj Žižek, First as Tragedy, then as Farce (London: Verso, 2009), pp. 63-4:
When Lacan defines the object of desire as originally lost, his point is not simply that we never know what we desire and are condemned to an eternal search for the "true" object, which is the void of desire as such, while all positive objects are merely its metonymic stand-ins. His point is a much more radical one: the lost object is ultimately the subject itself, the subject as an object; which means that the question of desire, its original enigma, is not primarily "What do I want?" but "What do others want from me? What object--objet a--do they see in me?" Which is why, apropos the hysterical question "Why am I that name?" (i.e., where does my symbolic identity originate, what justifies it?), Lacan points out that the subject as such is hysterical. He defines the subject tautologically as "that which is not an object," the point being that the impossibility of identifying oneself as an object (that is, of knowing what I am libidinally for others) is constitutive of the subject. In this way, Lacan generates the entire diversity of the answers to the hysterical question: the hysteric and the obsessive enact two modalities of the question [....]
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