Thursday, July 20, 2017

Seeing all the faces of the Russian Revolution

















July 20, 2017


Paul Le Blanc



















ONCE UPON a time, the small but vibrant Russian working class, in partnership with a vast, impoverished peasantry and war-weary soldiers, rose up against a viciously tyrannical monarchy. Overthrowing the Tsar of the Russian Empire, they continued to surge forward, and an inept Provisional Government was swept aside in the name of socialist revolution. This second revolution was led by a left-wing socialist faction known as the Bolsheviks, headed by Vladimir Ilyich Lenin.

Power was supposed to end up in the hands of the laboring majority's democratic councils (the soviets), although amid foreign invasions and a brutalizing civil war, a dictatorship of the Bolsheviks (renamed the Russian Communist Party) emerged instead. After Lenin's untimely death, Joseph Stalin fought his way to power, modernizing the former Russian Empire while--still waving the red flag of revolution--he consolidated an extreme authoritarian order.

In this 100th anniversary year of the Russian Revolution of 1917, there has been a surge of books to explain what happened.

Among works of high quality from the revolutionary left, first out of the gate was the introductory collection edited by Fred Leplat and Alex de Jonge, October 1917: Workers in Power, followed closely by China MiƩville's October, Neil Faulkner's A People's History of the Russian Revolution, and Tariq Ali's Lenin's Dilemma, with other valuable contributions pushing forward as one month follows the next.[1]

Review: Books

S.A. Smith, Russia in Revolution: An Empire in Crisis, 1890-1928. Oxford University Press, 2017, 455 pages, $34.95.

There are also accumulating contributions by established academics, definitely not Bolshevik partisans, reaching for an objective account and scholarly evaluation of what happened. Steven A. Smith has written one of the best of these: Russia in Revolution: An Empire in Crisis, 1890-1928.

Smith, currently at Oxford University, was part of an insurgency of young social historians from the late 1960s through the 1980s that powerfully impacted on the common understanding of the Russian Revolution--challenging the dominant anti-Communist narrative of the Cold War era.

Smith's Red Petrograd: Revolution in the Factories was a celebration of "history from below," seeing 1917 as a heroic uprising of the workers and the oppressed. It was among the best of the contributions that added layers of exciting new research and an ocean of meaty footnotes to the story told in John Reed's old classic Ten Days That Shook the World.

Yet with the passage of time, the collapse of Communism and the conservative/neoliberal resurgence (as well as further research and reflection), Smith and others in that cohort shifted away from the earlier enthusiasm. The tone became more reserved, more critical--which is certainly the case with this new volume.

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RUSSIA IN Revolution is a remarkably rich and clearly written synthesis that takes into consideration multiple strands of research. It combines economic history, intellectual history, political-institutional history, diplomatic history, military history, cultural history--without losing the attentiveness to the lives and struggles of the laboring majorities, workers and peasants, always so distinctive in the contributions of Smith and his once-young "social history" colleagues. There is much that can be learned here by any serious-minded reader.

Especially for so complex and contentious a topic, this can hardly be the "final word"--it is a reflection of the current state of scholarly understanding (and of Smith's understanding) about the meaning of what happened leading up to the 1917 revolution and about what happened in its wake. For someone more inclined to embrace the Bolshevik triumph than is Smith, assuming such a person aspires to be true to Marx (who intoned: "doubt everything"), this honestly written work is an especially valuable contribution.

Naturally, the honesty of a scholar by no means guarantees accuracy--and one can find, here and there, the mistakes that inevitably creep into any serious work that covers so much ground (for example, citing the year of the Paris Commune as 1870 instead of 1871).

There is also the matter of how one organizes one's material when there is so much material to present. Sometimes, there can be a blunting of interrelationships and interplay between one set of issues put forward in one chapter with those set forward in another chapter.

To record the diminishing democracy in the early Bolshevik regime in one chapter, and to record the horrific circumstances besetting the embattled Soviet Republic in a different chapter, can--for example--cut across one's understanding of the dynamically evolving history, even if one finally draws the diverse threads together, as Smith does, in a nicely drawn concluding chapter.

Complex, contradictory currents and countercurrents must certainly be revealed in any serious exploration of such broad swathes of historical and social reality as reflected in Smith's study. A writer can assert that the glass is half full--and yet this can be overshadowed, in the next breath, by a stress on the other half of the story: emptiness.

The reader's perceptions are more than once tilted in a negative direction in this narrative simply by Smith's decision to start with positive accomplishments that are then offset by negative limitations. Someone inclined to make the case for Bolshevism would naturally reverse the order--a negative limitation being offset by the positive accomplishment.

But one senses that Smith does not intend in any way to distort the picture. He is vibrantly alert to the "mixed" nature of reality.

He usefully gives a sense of controversies among historians over various aspects of the institutional dynamics of the Tsarist system and of growing industrial capitalism, over the lived experience of the impoverished peasant majority (and the extent of their impoverishment), over the variety of orientations within the growing working class and labor movement, over the nature and depth of the crises impacting on all of this.

Essential points are illustrated with bits of data, brief quotes, an occasional anecdote, an apt generalization--sometimes with tastes of conflicting evidence to highlight a complexity or controversy. Some of the ways of understanding the Bolshevik Revolution, its sources and outcomes, are still in play and have yet to be settled--a fact the attentive reader will grasp from what the author presents.

Unfortunately, less attentive readers may assume that the succinct summarizations tell us all we need to know. But we don't know all that we need to--some judgments can only be tentative, more work needs to be done, as Smith himself would surely emphasize.

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SMITH IS at his best as a social historian, and he expertly traces the shape and experience of, and the decisive activity within, the working class and peasantry, and how these connected with the popular insurgencies of 1917. He provides essential statistics and a vibrant sense of the internal diversity within each of these substantial social classes.

There is considerable nuance in his account. For example, he emphasizes that long-term trends suggest that the overall quality of life of workers and peasants was not getting worse but, in fact, improving.

What the long-term improvement looked like, however, in the actual experience of the masses of people involved: a) dramatic variation depending on specific occupation or geographical location; b) continuing injustice and oppression at the heart of the lives of the majority of people; and c) dramatic fluctuations flowing from a variety of factors (policy shifts in the government's modernization efforts, famines imposed by shifts in the weather, ups and downs in the global capitalist economy, the explosion of imperialist war, and so on).

Smith goes on to connect all of this to the developing consciousness (class consciousness, revolutionary consciousness) and the consequent self-activity of insurgent masses.

Needless to say, all of "the masses" neither think the same way nor do the same things, a fact that Smith also conveys. Nor in any insurgency or revolution, including this one, do all of the people or even a majority of the people take action.

Certain broad layers, connected with and supported by majorities, do sometimes play such a vanguard role--active in factory committees or peasant communes or red militias and other formations. These, in turn, are influenced (sometimes decisively) by ideologically and organizationally cohesive groups capable of providing the analysis, plan of action and practical skills that are essential for any successful insurgency.

Smith recognizes this and gives attention to such matters. In some of what he has to say, there seem to me to be weaknesses--but there are also valuable insights. Both can have implications, not simply for how we understand what happened a hundred years back, but also for how those of us engaged in the struggle for a better world might understand how we can make things happen in our own time.

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THE REVOLUTIONARY opposition to the Tsarist system can be largely summed up with the letters KD, SR, SD.

The first, Constitutional Democrats (Kadets--pro-capitalist liberals), true to form, compromised themselves terribly, over and over and over. The Socialist Revolutionaries (populist-socialists) focused on the peasant majority and utilized individual terrorism to inspire resistance.

The openly Marxist Social Democrats (dedicated to building a working-class movement) divided into Bolshevik and Menshevik factions, largely over whether to ally with pro-capitalist liberals against Tsarism, or to build an uncompromising worker-peasant alliance, as Lenin insisted.

One finds in this account strikingly clear expression of the author's very mixed feelings regarding Lenin and the Bolsheviks.

The Bolshevik leader, we are told, had "contempt for liberalism and democracy (and indeed for socialists who valued those things)." This is certainly true of Lenin's attitude toward liberalism, with its essential acceptance of capitalism and its willingness to promote compromised and distorted variants of "democracy." But it is hardly the case, despite Smith's assertion to the contrary, that Lenin's Menshevik rivals in the socialist movement were "more committed to democracy" or that Lenin cultivated "authoritarian habits of thought and action."

This is contradicted by Lenin's own writings (for example, those gathered in the 2008 anthology Revolution, Democracy, Socialism: Selected Writings of V.I. Lenin), as well as observations from intimates, such as Nadezhda Krupskaya, and an array of knowledgeable scholars: Pierre BrouƩ, E. H. Carr, Tony Cliff, Isaac Deutscher, C.L.R. James, TamƔs Krausz, Moshe Lewin, Marcel Liebman, Lars Lih, Ernest Mandel, August Nimtz, Alan Shandro, Robert C. Tucker.

Pretty much ignoring all of this, Smith (in unfortunate conformity to what Lars Lih once castigated as "the textbook version") informs his readers that "the Bolshevik ethos had always been characterized by ruthlessness, determination, authoritarianism, and class hatred"--which is no more true of Lenin than of Karl Marx, Karl Kautsky (pre-1910), Rosa Luxemburg, or Lenin's Menshevik rivals.

It is interesting that Smith also partially breaks free from this "textbook version." He repeats the standard misrepresentation (demolished by Lars Lih's massive Lenin Rediscovered) in a passing reference to "the tightly knit conspiratorial party conceived by Lenin in 1903."

Immediately following the misrepresentation comes his assertion that the Bolshevik party of 1917 was qualitatively different from this: "Alongside cadres who had endured years of hardship, tens of thousands of workers, soldiers, and sailors flooded into the party after February, knowing little of Marx but seeing in the Bolsheviks the most implacable defenders of the interests of the common people."

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IN MORE than one passage, Smith impresses us with the Bolsheviks' effectiveness in winning a mass following in 1917: "Arguably, far more important in winning the party popular support in 1917 was not so much its organizational discipline, or even its ideological unity, but its ability to talk a language that ordinary people understood, and to rearticulate in terms of class struggle and socialism their very urgent and desperate concerns."

The Bolshevik Central Committee in the wake of the 1917 revolution, we are told, "was dominated by an oligarchy consisting of Lenin, Trotsky, Kamenev, Zinoviev, Stalin and Bukharin"--which meant that Lenin was obviously "tolerant" of (and shared leadership with) an array of strong personalities whom Smith himself demonstrates had sharply disagreed with Lenin at various points.

He accurately notes that in this leadership team (not actually an "oligarchy" in the literal sense), "Lenin was first among equals." He attributes this not to "ruthlessness" or "authoritarianism," but rather to that fact that Lenin "enjoyed towering moral authority and it was his extraordinary talent as a political leader, in particular his ability to balance intransigence with compromise, that held the oligarchy together."

In his concluding chapter, as he sums up his understanding of what happened, Smith offers remarkable assessments of Lenin and the Bolsheviks in 1917 that are worth quoting at length. First Lenin:

Upon his return to Russia in April 1917, after a decade-long absence, Lenin's brilliant political instincts, in particularly his deep distrust of Russian liberals and his passionate belief that the [First World] War signaled a global crisis of capitalism, helped him size up the various political forces in a trenchant and perspicacious fashion. Against the leaders of his own party, he insisted that there must be implacable opposition to the imperialist war and to the new government of "capitalists and landowners." He recognized the deep unpopularity of the war and the likelihood that the masses would turn against the Provisional Government once its inability or unwillingness to tackle their grievances became apparent.

This is matched by Smith's re-emphasizing that "the Bolshevik party proved effective not because of its disciplined character, but because its activists, armed with slogans and a newspaper, campaigned relentlessly in the soviets, factory committees, trade unions, and soldiers' committees." He elaborates:

The vision that the Bolsheviks upheld in October was one of a socialist society rooted in soviet power, workers' control, abolition of the standing army, and far-reaching democratic rights, leading in the longer term to an international workers' revolution, the complete abolition of capitalism, and the reduction of the powers of the state to ones of simple administration.

More than this, there was "its promise to abolish inequality and exploitation, its rejection of the war as imperialist, its belief in the equality of people regardless of class, race, or gender, its promise to dismantle the bureaucratic state and place power in the hands of local soviets."

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YET THE profoundly democratic vision of the Bolshevik Revolution was quickly compromised. Or as Smith observes, "the exigencies of fighting a bitter civil war and of coping with an unprecedented collapse of social and economic life quickly sobered up the new Soviet government. Rival socialist parties, civil liberties, and the abolition of the death penalty were early casualties of Bolshevik determination to hold on to power."

Tragically, "the idea of the working class as the agent of socialist revolution gave way gradually to the idea of the party and the Red Army as guarantors of the workers' state." This seems a rebuttal, however, of his earlier expressed notion that Lenin and the Bolsheviks started off as authoritarians contemptuous of democracy.

Instead, it was after 1917 that "this culture of authoritarianism soon made itself felt" within the Bolshevik party.

He quotes the 1920 complaint by the knowledgeable veteran Bolshevik M.S. Olminskii that--rather than understanding authoritarian measures as dictated by the emergency of war--"many of our comrades understand the destruction of all democracy as the last word in communism, as real communism." The emergency involved a combination of multination military intervention and economic blockade with massive aid to counterrevolutionary military forces inside Russia, all dedicated to crushing the revolution.

Smith points out that "as the civil war intensified, what began mainly as pragmatic restriction on the opposition parties [including Mensheviks, Socialist Revolutionaries, and anarchists] hardened into a principled rejection of the right of 'petty-bourgeois' parties to exist at all." He traces "the dramatic fall in representation of the opposition parties in the soviets: from 14.2 percent in 1918 to 0.2 percent in 1920, to their total disappearance by 1922."

This and accompanying developments constituted a disastrous defeat for the vibrant soviet democracy that Lenin and his comrades had called for, and that millions of "ordinary Russians" reached for in 1917.

Smith throws into uncompromising relief the extremely authoritarian policies and rationalization that Lenin advanced amid the chaos and violence of the crises of 1918-1921. "In other words," he writes, "Lenin must bear considerable responsibility for the institutions and culture that allowed Stalin to come to power."

At the same time, however, he argues "we can be confident" that--after Lenin's death--Stalin's rivals Trotsky and Bukharin "would not have unleashed anything like the violent collectivization or Great Terror that soon ensued" after Stalin took power.

"If continuities between Leninism and Stalinism were real," he asserts, "the 'revolution from above' [that Stalin initiated at the end of the 1920s] also introduced real dis-continuity, wreaking havoc upon Soviet society. In bringing about what he called the 'Great Break,' Stalin believed he was advancing the cause of socialism, yet whether Lenin would have recognized the regime he brought into being as socialist is very doubtful."

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IN FACT, as Russia in Revolution documents, Lenin led a dramatic shift away from the regimentation and repression of the "war communism" which had alienated a majority of the workers and peasants during the civil war years.

Despite this alienation from the Bolshevik regime, Smith indicates, when push came to shove a majority of the people preferred the regime to the even more violent and vicious forces of counter-revolution (which is why the Reds could win the civil war against the Whites). But this hardly provided a durable basis for the revolutionary government--which is why Lenin and his comrades sought to revive the economic and social and cultural life of the country with a New Economic Policy (NEP).

The Bolsheviks understood that the democracy, abundance and freedom at the heart of the socialist vision could not be realized in a single backward "oasis" within the global capitalist economy. This is why they established the Communist International that could generate revolutions in order to bring more countries--especially advanced industrial countries--into the socialist orbit.

In the meantime, under NEP, there was to be a "mixed economy" that blended socialist-inspired nationalized enterprises and broad social welfare programs with a significant amount of capitalist small enterprise and market relations. This got the economy going again--despite serious contradictions--and generated improved living conditions and growing satisfaction (and supportiveness to the regime) among peasants and workers alike.

While the Communist Party's political monopoly was kept in place, the NEP years (1921-1928) saw the growth of significant opportunities to express critical and diverse opinions. The power and dominance of the Communist Party, which sometimes moved in repressive directions (that some prominent Communists initiated and others opposed), did not obliterate a meaningful degree of intellectual freedom.

"A paradox of NEP was that the 'retreat' forced on the Bolsheviks by civil war devastation and economic backwardness and the apparent turn towards pragmatic gradualism was compensated for by bold imaginings and anticipations of the communist future," Smith points out.

There was a diverse and flourishing artistic avant-garde "which had emerged around 1908, [and] was driven by a desire to destroy old aesthetic norms and convinced that art had the power to transform 'life,' which it identified with the utopian possibilities opened up by the Revolution."

Lenin himself preferred the old aesthetic norms--yet what Smith dubs his "intolerance of 'absurd and perverted' avant-garde art" was counterbalanced by Lenin's unwavering support for Anatoly Lunacharsky in the influential position of Commissar of Enlightenment, and Lunacharsky, in turn, unwaveringly "defended the principle of creative freedom for different approaches, including the avant-garde."

In stark contrast, "Stalin presided over the consolidation of economic and social hierarchies, the reconfiguration of patriarchal authority, the resurgence of a certain Russian chauvinism, the rejection of artistic experimentation in favor of a stifling conformism, the snuffing out of virtually all progressive experiments in social welfare and new ways of living of the 1920s," not to mention "the personal dictatorship, the unrestrained use of force, the cult of power, paranoia about encirclement and internal wreckers, and spiraling of terror across an entire society."

Such realities "served to underline the difference between Stalinism and Leninism," with Stalin's reversion to deep cultural and political traditions from earlier Russian history that the Bolsheviks had been seeking to overcome.

Surveying the Stalinist tragedy, Smith concludes:

Yet we shall not understand the Russian Revolution unless we see that for all their many faults, the Bolsheviks were fired by outrage at the exploitation that lay at the heart of capitalism and at the raging nationalism that had led Europe into the carnage of the First World War. Nor will we understand the year 1917 if we do not make an imaginative effort to recapture the hope, idealism, heroism, anger, fear, and despair that motivated it: the burning desire for peace, the deep resentment of a social order riven between the haves and the have-nots, anger at the injustices that ran through Russian society. That is why millions across the world, who could not anticipate the horrors to come, embraced the 1917 Revolution as a chance to create a new world of justice, equality, and freedom.

He also comments: "In the future the ambition of [the 1917 Revolution's] challenge to capitalism may once again inspire." Indeed.

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Footnotes

1. Those coming to my attention include one from the British Socialist Workers Party's publishing house, Dave Sherry's Russia 1917: Workers' Revolution and the Festival of the Oppressed, another from Workers' Liberty, Paul Vernadsky's The Russian Revolution: When Workers Took Power, and (from Australia) Lenin's Interventionist Marxism by the late Tom Freeman. My own somewhat more ambitious contribution, October Song: Bolshevik Triumph, Communist Tragedy, 1917-1924, can also be added to the list.




























Bernie Sanders and Al Gore discuss climate change

https://www.youtube.com/watch?v=-yoCvit2HyI













































Trump Can’t Vote Down Obamacare, so He’s Strangling It Instead

https://www.youtube.com/watch?v=H2G8CWDMSG8






































World's young face $535 trillion bill for climate





















The next generation will have to pay a $535 trillion bill to tackle climate change, relying on unproven and speculative technology.


By Tim Radford











LONDON, 19 July, 2017 – One of the world’s most famous climate scientists has just calculated the financial burden that tomorrow’s young citizens will face to keep the globe at a habitable temperature and contain global warming and climate change – a $535 trillion bill.

And much of that will go on expensive technologies engineered to suck 1,000 billion metric tons of the greenhouse gas carbon dioxide from the air by the year 2100.

Of course, if humans started to reduce greenhouse gas emissions by 6% a year right now, the end of the century challenge would be to take 150 billion tonnes from the atmosphere, and most of this could be achieved simply by better forest and agricultural management, according to a new study in the journal Earth System Dynamics.

The study, authored by researchers from the US, France, China, the United Kingdom and Australia, rests on two arguments.

Slow start

One is that although the world’s nations vowed in Paris in 2015 to contain global warming by 2100 to “well below” 2°C relative to the average global temperatures for most of the planet’s history since the last Ice Age, concerted international action has been slow to start. One nation – the US – has already announced that it will withdraw from the Paris Agreement.

The other argument is that, even if humans do in the decades to come rise to the challenge, it could be too late: by then greenhouse gas concentrations could have reached a level in the atmosphere that would in the long run condemn the world to sea level rises of several metres, and a succession of economic and humanitarian disasters.

“Continued high fossil fuel emissions would saddle young people with a massive, expensive cleanup problem and growing deleterious climate impacts, which should provide incentive and obligation for governments to alter energy policies without further delay,” says James Hansen, of the Columbia University Earth Institute in the US, who led the study.

Professor Hansen, as director of the US space agency Nasa’s Institute for Space Studies, made global headlines in 1988, during a severe drought and heatwave on the North American continent, when he told a Washington senate committee: “It’s time to stop waffling so much and say the evidence is pretty strong that the greenhouse effect is here.”

Legal testimony

With that one sentence, he made climate science an enduring item on the political agenda. But the latest study is also part of a legal argument. It is in effect testimony in a lawsuit called Juliana et al vs the United States.

This case began under the last US administration. However, the US president, Donald Trump, who has dismissed the evidence of climate change as a “hoax”, has now been named in the case.

Professor Hansen has argued that even the ambitions of the historic Paris Accord will not be enough to avert disaster and displacement for millions. The benchmark for geologically recent warming levels was set 115,000 years ago, during a period between two Ice Ages, known to geologists as the Eemian

“We show that a target of limiting global warming to no more than +2°C relative to pre-industrial levels is not sufficient, as +2°C would be warmer than the Eemian period, when sea level reached plus 6-9 metres relative to today,” Professor Hansen said.

Lower CO2

At the heart of such arguments are calculations about imponderables that climatologists like to call the carbon budget and climate sensitivity. The first of these concerns the terrestrial and oceanic processes that release greenhouse gases into the atmosphere and then absorb them, and the second is a calculation about what a change in carbon dioxide levels really means for average global temperatures.

For most of human history, CO2 levels were around 280 parts per million. In the last two years they have reached 400 ppm, as a response to two centuries of fossil fuel combustion, and average global temperatures have risen by almost 1°C, with a record reading in 2016 of 1.3°C.

Professor Hansen and his colleagues want to see these atmospheric CO2 levels lowered to 350 ppm, to bring global temperature rise down to no more than a rise of 1°C later this century.

If the world’s nations can co-operate to do that, then most of the hard work to remove the carbon dioxide surplus from the air could be left to the world’s great forests.

However, if carbon emissions go on growing at 2% a year (and during this century, they have grown faster), then those who are children now would have to commit to a costly technological answer based on the belief that carbon dioxide can be captured, compressed and stored deep underground.

Nobody knows how to do this on any significant scale. And if it could be done, it would be expensive: an estimated €500 trillion, or US$535 trillion.

“It is apparent that governments are leaving this problem on the shoulders of young people. This will not be easy or inexpensive,” says Hansen.

“We wanted to quantify the burden that is being left for young people, to support not only the legal case against the US government, but also many other cases that can be brought against other governments.”



























"My Tastes Are Surprisingly Traditional"















Slavoj Žižek



















Interviewer: We are talking at the Reina SofĆ­a Museum and I would like to know your relationship with contemporary art.


I think I'm going to disappoint you terribly. I am a "conservative modernist." I still think - and it is horrible what I am going to say - that the great event in the art world was the first European modernism. Schonberg, in the world of music ...


Interviewer: Malevich, in art.


Malevich and all that generation. The idea that postmodernism did away with modernism is not true, we are still in the shadow of these events. We have not passed that time. My tastes are surprisingly traditional. People are totally wrong when they think they reached the lowest level with "Black Square". No: for him, that was the zero point, the starting point. I greatly admire his late paintings, which people misunderstand as their submission to Stalinism. They are not. They are creations that follow the minimal reduction, even those apparently Stalinist, like the final paintings of women. They are works of a genius.





Interviewer: You have written a few times about Duchamp.


Yes, but they were rather standard things. Although I had an interesting debate in China about him, in which people did not understand what he meant. "You have a urinal, you expose it and it becomes a work of art, does not it?" I asked the curator of a museum: "What would happen if I went on stage and pissed?" He said to me, "You would be vulgar because you would show that you did not understand the work. This is a work of art, it is no longer an object to be used for that purpose. " Do you know what my answer was ?: "But what if I say that I am a performer and that the act of urinating is therefore a work of art, a performance?"


Interviewer: This has already been done, in fact. Pierre Pinoncelli urinated and then destroyed the Duchampian urinal in 1993.


Something that is crucial-and perhaps that brings us closer to what I know about art theory and abstract art-is that I've always had problems with Jackson Pollock because I'm fanatically anti-alcoholic and I hate all those artists who get drunk, Paint a couple of colors and then go saying they have composed a masterpiece. My idea of ​​artist is Mark Rothko . It is absolutely ethical, his paintings darken more and more, and you can almost predict just by looking at them that he would commit suicide in the end. I can also tolerate Hopper, who is often dismissed as realistic. One realizes that he did a miracle, produced apparently realistic pictures, but that can only be understood in the context of abstraction. This is what I admire about modern art. The really difficult thing is to return to some form of realism,


Interviewer: And in modern literature, what are your preferences?


For me, there are three great writers from Western Europe. Beckett, in front of Joyce, who is a pain in the ass, a snob, a narcissist. "Finnegans Wake" is horrible. He acknowledged that he wrote it so that literary critics would have four hundred years of work. Fuck you! I do not mess with that for one day. Beckett was the real genius.


Interviewer: "Endgame," a masterpiece.


Yes and all the others, for example, Not I. Then comes Kafka, who nobody wins in their game. He understood the obscenely sexual dimension of bureaucracy. And finally, Platonov, a teacher whom I consider the Malevich of literature.


Interviewer: But this is quite peculiar because you are interested in video games and the most current cyber culture, but then, in art, you stay in modernity and in the first avant-gardes.


I just can not do it all. For example, for some time I tried to follow modern music. But I must admit that I have limitations in this field, I tried to follow the best I could to Boulez and Stockhausen. In the field of modern music, I like the most is Hanns Eisler . At the same time that he wrote the GDR anthem, he composed wonderful pieces. It represented an almost impossible combination: an Orthodox Communist, both a faithful follower of Schonberg and atonal experimentation.


The case of the Slovenian group Laibach is significant because they enjoy fascist overidentification. To a certain extent, they remind me of Chaplin's "Great Dictator," when he turns Hitler's speeches into strange sounds in which we only understand some vulgarities. To do so is much more subversive than rationally criticizing Hitler. You copy as faithfully as possible, and, in this way, make it completely ridiculous. But at the same time this is very serious. Laibach are not liberals who imitate and criticize totalitarianism. On the contrary, they confront us with a very unpleasant fact: that we all enjoy identifying ourselves with totalitarian rituals.



Interviewer: Are you interested in the "Black Mirror" series?


It is one of the best. Do you know which episode I like best? The first of the second season, which is about a society where every time you meet someone or call someone, they put a rating, a note. From this emerges certain standards for social control. This may seem like a utopia, but it is already happening with Google. We can learn from "Black Mirror" that we are approaching a type of control society, although I am not so pessimistic at this point. Yes: we can be controlled, but it does not stop to amaze me how stupid computers are. They know everything, but they have too much data.









































Wednesday, July 19, 2017

Music: the Slovenian band Laibach

http://www.zizektimes.com/





The case of the Slovenian group Laibach is significant because they enjoy fascist overidentification. To a certain extent, they remind me of Chaplin's "Great Dictator," when he turns Hitler's speeches into strange sounds in which we only understand some vulgarities. To do so is much more subversive than rationally criticizing Hitler. You copy as faithfully as possible, and, in this way, make it completely ridiculous. But at the same time this is very serious. Laibach are not liberals who imitate and criticize totalitarianism. On the contrary, they confront us with a very unpleasant fact: that we all enjoy identifying ourselves with totalitarian rituals.








Laibach - Also Sprach Zarathustra Trailer


https://www.youtube.com/watch?v=MZP79R7F1Rw



















NATO-Russia Tensions Rise, Arms Dealers Benefit

https://www.youtube.com/watch?v=2ZvKy2ALcaA