Sunday, October 7, 2012

yet another facile review of a Žižek book


The unbearable lightness of Slavoj Žižek’s communism

The Year of Dreaming Dangerously - review.



The Year of Dreaming Dangerously
Slavoj Žižek
Verso, 142pp, £7.99

Marxism has always been, since the first collaborations of Marx and Engels, a thoroughgoing critique of capitalist society from the standpoint of a far less developed concept of socialism or communism. In this sense, its premise is a utopian conclusion never yet demonstrated – namely, that there can be a better form of modern society, based on a different regime of property, than one dominated by the accumulation of private capital. No one can in fairness require a detailed picture of this future condition but the vision has to enjoy some minimum plausibility. Otherwise, only a description of capitalism can be offered and some suggestions for reform but no fundamental critique.
Since the 1970s – and especially since 1991 – perhaps the greatest challenge for Marxism has been to keep alive the belief in the possibility of a superior future society. The belief was trampled almost to extinction by miscarried Third World revolutions, capitalist transformation in China, the capitulations of European socialist parties, Soviet collapse and the ostensible triumph of liberal capitalism.

The scepticism that replaced it was twofold. The would-be revolutionary left seemed to possess neither a serious strategy for the conquest of power nor a programme to implement, should power be won. In this context, the maximalism of the left at its high-water marks could only ebb into a kind of survivalist minimalism. The pith of minimalism lay in the alter-globalisation slogan: “Another world is possible.” Its most eloquent expression may have been Fredric Jameson’s book on Utopia, Archaeologies of the Future (2005), which sought to preserve the concept of a break with capitalism in conditions under which neither the bridge across the chasm nor the institutions lying on the other side could be imagined.

These are the reduced circumstances in which the Slovenian philosopher Slavoj Žižek has been, for at least the past dozen years or so, the world’s best-known Marxist thinker. With gra­phomaniacal productivity and postmodern range, Žižek writes mainly about contemporary ideology and culture in the broad sense that covers everything from an animated Hollywood blockbuster such as Kung Fu Panda to the forbidding ontology of Alain Badiou. Corrugated with dialectical reversals and seeming at times to consist exclusively of digressions, Žižek’s writing is often described, with some justice, as elusive. Even so, his basic analysis of the end-of-history ideology that swept the world after 1991 has been simple enough.

Žižek ventriloquised the mindset in First as Tragedy, Then as Farce (2009), one of his many entertaining, funny and shamelessly repetitive books: “Capitalism is a system which has no philosophical pretensions . . . The only thing it says is: ‘Well, this functions.’ And if people want to live better, it is preferable to use this mechanism, because it functions.” As he went on to argue in his own voice, “The very notion of capitalism as a neutral social mechanism is ideology (even utopian ideology) at its purest.” In fact, neoliberal “post-ideology” resembled nothing so much as a caricature of Marxist historical determinism. It merely substituted liberal capitalism for communism in claiming that here we beheld the final form of human society, as legitimated by science – in this case, socio­biology and neoclassical economics – and as certified on the proving ground of history.

Such a view was often declared after the cold war in a triumphalist spirit. Lately, with the outbreak, still uncontained, of the worst economic crisis since the 1930s, it has persisted in a more resigned key. In his latest book, Žižek quotes David Simon, creator, in the television epic The Wire, of as damning a portrait of class-riven America as any Marxist could wish for: “I accept that [capitalism] is the only viable way to generate wealth on a wide scale.”

Žižek not only rejects this nearly unanimous conclusion but discerns in unexpected places – whether in the chauvinist eruptions of the political right or the low-grade commercial output of US cinema – the abiding wish, however disfigured and denied, for a “radical emancipatory politics”. In recent years, Žižek’s name for such a politics has been simply “communism”. He has carried out this dual operation – against the supposed necessity of capitalism, in favour of the renewed possibility of com­munism – by invoking a remarkable roster of thinkers. Hegelian in philosophy, Marxist in economics, Leninist in politics and an exponent of Jacques Lacan’s particularly baroque strain of psychoanalysis, Žižek combined these ways of thinking at a time when all of them separately, let alone together, had fallen into disrepute. He knew the reaction this courted, as can be seen in a line from In Defence of Lost Causes (2008): “What should have been dead, disposed of, thoroughly discredited, is returning with a vengeance.” Nor did this foul-mouthed wise guy, with an eastern bloc accent out of Central Casting, baiting his detractors with talk of “good old Soviet times” and plucking at his black T-shirt with Tourettic insistence, make himself much more presentable to conventional opinion as a personality.

For many fellow leftists, it has been both a winning performance and a vexing one. Žižek isn’t exactly to blame for his press, much less for the failure of the media to pay similar attention to other left-wing thinkers. Even so, his intellectual celebrity has seemed a symptom of the very intellectual impasse he has diagnosed. A ruthless criticism of capitalism, it turned out, could still be contemplated outside the academy – but only on condition that it appear as the work of a jester or provocateur. In this way, the figure of Žižek seemed to represent, encouragingly, the lifting of the post-cold-war embargo on radical thought and at the same time, discouragingly, its reimposition.

A similar ambiguity attaches to The Year of Dreaming Dangerously, a brief consideration of several of the revolts and convulsions of 2011, from the Arab spring and Anders Behring Breivik’s massacre in Norway to the London riots and Occupy Wall Street in the US. Did last year’s dreams, with their conscious or unconscious emancipatory content, pose a danger to contemporary capitalism or mainly to the dreamers themselves? In other words, did they prefigure a revolutionary challenge to the system or merely demonstrate that such an awakening remains all but inconceivable?

The book begins with Zizek’s general presentation of a capitalism marked by “the long-term trend of shifting from profits to rents”, “the much stronger structural role of unemployment” and the rise of a ruling class defined more by high salaries than direct capital income. Only the last of these features, however, is integrated into Žižek’s explanation of political rebellion: some but not all protesters are recent graduates angry that a college degree no longer assures them a good salary. More relevant to the rest of The Year of Dreaming Dangerously is Žižek’s contention that capitalism can’t be reformed. He disdains the idea, characteristic of “the archetypal left-liberal European moron”, that we need “a new political party that will return to the good old principles” and “regulate the banks and control financial excesses, guarantee free universal health care and education, etc, etc”.

He proceeds to examine last year’s rebellions not chronologically but in order, it seems, of increasing approximation to his own politics. For Žižek, the xenophobic Breivik’s intellectual error (not to speak of his obvious moral catastrophe) is to misunderstand his own ideology: genuine fidelity to Europe’s heritage of Christian universalism would seek to redeem, for Muslim immigrants as well as all others, the “legacy of radical and universal emancipation”.

Next, Žižek discusses the London riots. These illustrate not an inversion of universalism but a post-ideology devoid of transpersonal meaning; looters were, like other capitalist subjects, merely grabbing what they could. “One danger,” Žižek writes, “is that religion will come to fill this void and restore meaning.”

Precisely this danger has already been realised in much of the Muslim world. Yet, in Žižek’s account, the popular overthrow of Arab autocracies, even when couched in Islamist terms, contained a “radically emancipatory core” to which the secular left should remain “unconditionally faithful”.

Finally, in a chapter that revises a talk given before the Occupy encampment in Lower Man­hattan, Žižek explains something of what he takes radical emancipation to mean. He praises Occupy for “two basic insights”. The first is that the principal political problem is capitalism “as such, not any particular corrupt form of it”. The second is that “the contemporary form of representative multiparty democracy” can’t address the problem; therefore, “Democracy has to reinvented.” My sense, as a participant in several Occupy demonstrations and one of last’s years affiliated “working groups”, is that disenchantment with representative democracy, at least in its Ame­rican travesty, does pervade the movement. The belief that capitalism can and should be surmounted, on the other hand, is hardly unknown among Occupiers but doesn’t seem general either.

Žižek sees in various popular discontents the chauvinist misprision, the consumerist absence, the communalist disguise or the anti-capitalist incipience of his own politics. Radical politics at its most basic consists of two elements: strategy and programme or how to get power and what to do with it. Žižek’s programme is straightforward: the replacement of capitalism by communism. It’s not necessary to disclaim this ambition, however, to see that his concept of capitalism is inadequately specified and his notion of communism barely articulated at all.

In his brief against reformism, Žižek scorns the idea that capitalism can be regulated “so that it serves the larger goals of global welfare and justice . . . accepting that markets have their own demands which should be respected”. This suggests that he has confused the existence of markets with that of capitalism. The same goes for Žižek’s rudimentary positive notion of communism. In Living in the End Times (2010), he describes a future society in which the “exchange of products” would give way to “a direct social exchange of activities”. This seems to imply that individuals would no longer come by goods and services through market exchange but instead in some immediate, “social” way, obviating the use of money.

Markets long predate capitalism. Capitalism is better understood as designating a society that subordinates all processes – notably the metabolism between humanity and nature, the production and distribution of goods and services and the function and composition of government – to the private accumulation of capital. As for communism, perhaps it goes without saying, since Žižek doesn’t say so, that it means eliminating private capital on any large scale and realising the Marxist goal of common ownership of the means of production. Yet would productive enterprises be owned by those who worked for them or by society at large – or somehow jointly between the two groups? Žižek doesn’t ask, let alone answer, such questions.

Imagine, in any case, a society whose productive assets are, in one way or another, the property, as Marx said, of “the associated producers”. Such a society might also entail, let’s say, strict depletion quotas for both renewable and non-renewable natural resources; welfare guarantees not only for workers but for people too young, old or ill to work; and democratic bodies, from the level of the enterprise and locality up to that of the state, wherever it hadn’t withered away. These institutions might or might not be complemented by the market. For now, however, to rule markets out of any desirable future while saying next to nothing else about its institutional complexion is to reproduce the intellectual blockage that Žižek and others ascribe to a capitalism that simply can’t imagine how another kind of society might “function”.

In The Year of Dreaming Dangerously, even the “direct exchange of activities” has vanished. Here Žižek counsels refusing capitalism from the point of view of “a communism absconditus” without worldly instantiation or conceptual content. He defends this featureless vision by warning, with compact incoherence, against “the temptation of determinist planning”: determinism refers to inevitability, while planning implies voluntarism. Yet it requires no creed of either historical predestination or revolutionary infallibility to hazard an idea, presumably subject to revision both before and after the rupture with capitalism, of a better society. Whether such a hypothesis is called communist is a secondary question; as the poet (and revolutionary) John Milton put it in another context: “The meaning, not the name I call.” At the moment, Žižek’s communism is a heavy name very light on meaning.

His strategic notions, meanwhile, are various and incompatible. At times, as in his advice to Occupy, he seems to advocate the accomplishment of revolution through democracy, though he rejects parliamentary democracy for a “reinvented” kind otherwise undescribed. More often he favours a sort of Leninist quietism, according to which “those who refuse to change anything are effectively the agents of true change”: withdrawal from the system will speed its collapse. Yet he allows that: “A strategically well-placed, precise, ‘moderate’ demand can trigger a global transformation.” The options at least display Žižek’s dialectical facility. Apparent passivity can be the highest form of activity; then again, moderation can have immoderate effects.

Despite this last caveat, Žižek is most often an enemy of reform. However, the experience of western societies since the Second World War suggests that the old opposition between reformism and revolution is no longer useful. The heyday of the welfare state was accompanied, after all, by far more worker and student radicalisation than the era of neoliberalism that followed it, which demoralised radicals and reformers alike.

Projects of reform, in other words, have tended to nourish hopes of revolution and vice versa. In present circumstances, the achievement of reforms might well pave, rather than bar, the way to a new society, not to mention relieving some of the human misery to be endured before the advent of the communist millennium. If, on the other hand, the system were to prove incapable of incorporating any serious reforms, this would demonstrate the need for revolution that Žižek merely asserts.

This perspective, in which reform and revolution are allied, can no doubt be intelligently contested. But the time is past for the left to content itself with the blank proposition that another world is possible. What traits, other than its otherness, would such a world possess? As liberal capitalism saps its ecological foundations, defaults on its economic promises and forfeits its political legitimacy, another world is becoming inevitable. Which one do we want? And can we make this one into that one before it’s too late?

[...]

Friday, October 5, 2012

Hegel on atomism



[…]
B. The One and the Many

This (a) One in its Own Self, standing in negative relation to all its preceding moments, is entirely differentiated from each of them. It is neither a Determinate Being, nor a Something, nor a Constitution, etc. It is therefore indeterminate and unalterable. There is Nothing in it.[39] Just as there is no criterion to distinguish Being and Nothing despite the fact that they are opposites, the One is also identical with its opposite, (b) the Void. The Void can be said to be the Quality of the One.[40]

EXAMPLE: At this stage, the Logic has incorporated the ancient atomism of Leucippus and Democritus. Hegel actually held the ancient philosophical notion of atomism in higher esteem than the scientific one of modern physics because the former understood the void not just as the empty space between atoms, but as the atom’s own inherent principle of unrest and self-movement. “Physics with its molecules and particles suffers from the atom ... just as much as does that theory of the State which starts from the particular will of individuals.”[41]

The original transition of Being and Nothing to Determinate Being is again echoed here in the sphere of Being-for-Self. The One, though, as negatively related to all aspects of Quality excepting its own Quality of being the Void, cannot take on a Qualitative determinateness like Determinate Being did. In its own self-differentiation, it can only relate to itself as another self identical to it, that is, as another One. Since no new Quality has been taken on, we cannot call this transition a Becoming, but rather a Repulsion, i.e., the positing of (c)Many Ones.[42]

C. Repulsion and Attraction
Once these many Ones have been posited, the nature of their relationship begins to unfold. Because it is the nature of the One to be purely self-related, their relation to one another is in fact a non-relation, i.e., takes place externally in the Void. From the standpoint of the one One, then, there are no other Ones, that is, its relation to them is one of (a) Exclusion. Seen from within the One there is only one One, but at the same time the One only exists in the first place through its negative external relation to other Ones, i.e., for there to be the one One there must be Many Ones that mutually Exclude one another.[43]

EXAMPLE: The idea that the One is entirely self-subsistent and can exist without the Many is, according to Hegel, “the supreme, most stubborn error, which takes itself for the highest truth, manifesting in more concrete forms as abstract freedom, pure ego and, further, as Evil.”[44]

Now that Many Ones have been posited out of their Repulsion from the One, their original Oneness reasserts itself and their Repulsion passes over to (b) Attraction. Attraction presupposes Repulsion: for the Many to be Attracted by the One, they must have at first been Repulsed by it.[45]

The One having been restored to unity by Attraction now contains Repulsion and Attraction within it as moments. It is the Ideal One of Infinite Being, which, for Hegel, actually makes it more “real” than the merely Real Many. From the standpoint of this Ideal One, both Repulsion and Attraction now presuppose each other, and, taken one step further, each presupposes itself as mediated by the other. The One is only a One with reference to another One―Repulsion; but this “other” One is in itself identical to, is in fact, the original One―Attraction: each is the moment of the other. This is the (c) Relation of Repulsion and Attraction, which at this point is only relative.[46]

EXAMPLE: Although in Hegel’s estimation a triumph of the explanatory power of metaphysics over the physics based on sense perception as it was then practised, he believed that Kant’s Metaphysische Anfangsgründe der Naturwissenschaft [Metaphysical Foundations of Natural Science] (1786) retained many of the errors committed by the latter, foremost among these being that, since matter is given to the senses as already formed and constituted, it is taken to be such by the mind as well. The forces of Attraction and Repulsion that are supposed to act upon matter to set it in motion, then, are not seen also to be the very forces though which matter itself comes into being in the first place.[47]

Repulsion and Attraction are relative to one another insofar as the One is taken either as the beginning or result of their mediation with one another. Imparted with continuous, Infinite motion, the One, Repulsion and Attraction become the sublated moments of Quantity.[48]
[…]


[…]
Atomic thinkers, according to Hegel, did not remain wedded to the brute externality of the One and the Void. The Void was recognized as the source of movement, which, of course, means that the One and the Void did not have a purely external relation. Thus, the One can move only into unoccupied space--not into space already occupied by a One.

But this "not trivial" (Science of Logic,166) piece of information means only that the Void is the presupposition or condition of movement--not its ground. In addition, the very idea of movement is also presupposed in this view. That is, no logical connection between the One and the Void is yet recognized. The profounder view is:

that the void constitutes the ground of movement. . . [I]n the negative as such there lies the ground of becoming, of the unrest of self-movement . . . (Science of Logic,166)
[…]

Democritus: atomic theory



The theory of Democritus and Leucippus held that everything is composed of "atoms", which are physically, but not geometrically, indivisible; that between atoms lies empty space; that atoms are indestructible; have always been, and always will be, in motion; that there are an infinite number of atoms, and kinds of atoms, which differ in shape, and size. Of the mass of atoms, Democritus said "The more any indivisible exceeds, the heavier it is." But his exact position on weight of atoms is disputed.[1]

Democritus, along with Leucippus and Epicurus, proposed the earliest views on the shapes and connectivity of atoms. They reasoned that the solidness of the material corresponded to the shape of the atoms involved. Thus, iron atoms are solid and strong with hooks that lock them into a solid; water atoms are smooth and slippery; salt atoms, because of their taste, are sharp and pointed; and air atoms are light and whirling, pervading all other materials.[28] Democritus was the main proponent of this view. Using analogies from our sense experiences, he gave a picture or an image of an atom that distinguished them from each other by their shape, their size, and the arrangement of their parts. Moreover, connections were explained by material links in which single atoms were supplied with attachments: some with hooks and eyes others with balls and sockets.[29] 

The Democritean atom is an inert solid (merely excluding other bodies from its volume) that interacts with other atoms mechanically. In contrast, modern, quantum-mechanical atoms interact via electric and magnetic force fields and are far from inert.

Lucretius, describing atomism in his De rerum natura gives very clear and compelling empirical arguments for the original atomist theory. He observes that any material is subject to irreversible decay. Through time, even hard rocks are slowly worn down by drops of water. Things have the tendency to get mixed up: mix water with soil and you get mud, that will usually not un-mix by itself. Wood decays. However, we see in nature and technology that there are mechanisms to recreate 'pure' materials like water, air, metals. The seed of an oak will grow out into an oak tree, made of similar wood as historical oak trees, the wood of which has already decayed.

The conclusion is that many properties of materials must derive from something inside, that will itself never decay, something that stores for eternity the same inherent, indivisible properties. The basic question is: why has everything in the world not yet decayed, and how can exactly the same materials, plants, animals be recreated again and again? One obvious solution to explain how indivisible properties can be conveyed in a way not easily visible to human senses, is to hypothesize the existence of 'atoms'. These classical 'atoms' are nearer to our modern concept of 'molecule' than to the atoms of modern science. The other big point of classical atomism is that there must be a lot of open space between these 'atoms': the void. Lucretius gives reasonable arguments that the void is absolutely necessary to explain how gasses and fluids can change shape, flow, while metals can be molded, without changing the basic material properties.

The atomistic void hypothesis was a response to the paradoxes of Parmenides and Zeno, the founders of metaphysical logic, who put forth difficult to answer arguments in favor of the idea that there can be no movement. They held that any movement would require a void—which is nothing—but a nothing cannot exist. The Parmenidean position was "You say there 'is' a void; therefore the void is not nothing; therefore there is not the void."

The atomists agreed that motion required a void, but simply ignored the argument of Parmenides on the grounds that motion was an observable fact. Therefore, they asserted, there must be a void.
[…]

Epicurean Atomism



[…]
Democritus' atomism was revived in the early Hellenistic period, and an atomist school founded in Athens about 306, by Epicurus (341–270 BCE). The Epicureans formed more of a closed community than other schools, and promoted a philosophy of a simple, pleasant life lived with friends. The community included women, and some of its members raised children. The works of the founder were revered and some of them were memorized, a practice that may have discouraged philosophical innovation by later members of the school.
Epicurus seems to have learned of atomist doctrine through Democritus' follower Nausiphanes. Because Epicurus made some significant changes in atomist theory, it is often thought that his reformulation of the physical theory is an attempt to respond to Aristotle's criticisms of Democritus. Even more significant, however, is the increasing centrality of ethical concerns to Epicurus' atomism, and the importance of the view that belief in an atomist physical theory helps us live better lives.
Epicurus takes to heart a problem Democritus himself recognized (see 2. above), which is that atomist theory threatens to undermine itself if it removes any trust we can place in the evidence of the senses, by claiming that colors, etc. are unreal. He notoriously said that ‘all perception is true,’ apparently distinguishing between the causal processes which impact our senses, all of which originate with the films of atoms sloughed off by objects, and the judgments we make on the basis of them, which may be false. Reasoning to truths about things that are not apparent—like the existence of atoms—depends on the evidence of the senses, which is always true in that it consists of impacts from actually existing films. For particular phenomena, like meteorological events, Epicurus endorses the existence of multiple valid explanations, acknowledging that we may have no evidence for preferring one explanation over another.
It may be that Epicurus was less troubled by any such epistemological uncertainties because of his emphasis on the value of atomist theory for teaching us how to live the untroubled and tranquil life. Denying any divine sanction for morality, and holding that the experience of pleasure and pain are the source of all value, Epicurus thought we can learn from atomist philosophy that pursuing natural and necessary pleasures—rather than the misleading desires inculcated by society—will make pleasure readily attainable. At the same time, we will avoid the pains brought on by pursuing unnatural and unnecessary pleasures. Understanding, on the basis of the atomist theory, that our fears of the gods and of death are groundless will free us from our chief mental pains.
Epicurus made significant changes to atomist physical theory, and some of these have been traced to Aristotle's criticisms of Democritus. It seems that Democritus did not properly distinguish between the thesis of the physical uncuttability of atoms and that of their conceptual indivisibility: this raises a problem about how atoms can have parts, as evidenced by their variations in shape or their ability to compose a magnitude, touching one another in a series on different sides. Epicurus distinguished the two, holding that uncuttable atoms did have conceptually distinct parts, but that there was a lowest limit to these.
Epicurus' view of the motion of atoms also differs from Democritus'. Rather than talking of a motion towards the center of a given cosmos, possibly created by the cosmic vortex, Epicurus grants to atoms an innate tendency to downward motion through the infinite cosmos. The downward direction is simply the original direction of atomic fall . This may be in response to Aristotelian criticisms that Democritus does not show why atomic motion exists, merely saying that it is eternal and that it is perpetuated by collisions. Moreover, although this is not attested in the surviving writings of Epicurus, authoritative later sources attribute to him the idea that it belongs to the nature of atoms occasionally to exhibit a slight, otherwise uncaused swerve from their downward path. This is thought to explain why atoms have from infinite time entered into collisions instead of falling in parallel paths: it is also said, by Lucretius, to enter into the account of action and responsibility. 
[…]

Clinamen




Clinamen (pronounced /klaɪˈneɪmɛn/, plural clinamina, derived from clīnāre, to incline) is the Latin name Lucretius gave to the unpredictable swerve of atoms, in order to defend the atomistic doctrine of Epicurus.

According to Lucretius, the unpredictable swerve occurs "at no fixed place or time":
When atoms move straight down through the void by their own weight, they deflect a bit in space at a quite uncertain time and in uncertain places, just enough that you could say that their motion has changed. But if they were not in the habit of swerving, they would all fall straight down through the depths of the void, like drops of rain, and no collision would occur, nor would any blow be produced among the atoms. In that case, nature would never have produced anything.[1]

This indeterminacy, according to Lucretius, provides the "free will which living things throughout the world have."[2]

Modern usage

The OED continues to define clinamen as an inclination or a bias.

In Finnegans Wake, Joyce alludes to the term on the very first words of his work: riverrun, past Eve and Adams, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth, Castle and Environs. If "Eve and Adam's" refers to "even atoms" in the Epicurean sense, the word swerve has a special meaning.

In Difference and RepetitionGilles Deleuze employs the term in his description of multiplicities, pointing to the observation at the heart of the theory of clinamen that "it is indeed essential that atoms be related to other atoms."[3] Though atoms affected by clinamen engage each other in a relationship of reciprocal supposition, Deleuze rejects this version of multiplicity, both because the atoms are too independent, and because the multiplicity is "spatio-temporal" rather than internal.

Simone de Beauvoir,[4] Jacques Lacan,[5] Harold Bloom,[6] Jacques DerridaJean-Luc NancyAlain Badiou[7] as well as Michel Serres[8] have made extensive use of the idea of the clinamen, albeit with very different readings.

References
^ Lucretius, ii. 216-224. Translation from Brad Inwood, L. P. Gerson, (1994), The Epicurus Reader, page 66. Hackett
^ Lucretius, ii. 251
^ Gilles Deleuze, Paul Patton, (1994), Difference and repetition, page 184
^ in "The Ethics of Ambiguity" (1948), trans. Bernard Frechtman; Publisher: Citadel Press, ISBN 0-8065-0160-X
^ in "The four fundamental concepts of psycho-analysis" (1973), Publisher: W.W. Norton & Co. (April 17, 1998), ISBN 0-393-31775-7
^ in "The Anxiety of Influence: A Theory of Poetry" (1973), Publisher: Oxford University Press, USA; 2 edition (April 10, 1997) ISBN 0-19-511221-0
^ in "Theory of the Subject" (1982), trans. Bruno Bosteels; (New York: Continuum, 2009): ISBN 978-0-8264-9673-7 (hardcover)
^ Hanjo Berressem in Abbas, N. (2005), Mapping Michel Serres, page 53 University of Michigan Press

Žižek at Toronto City Hall



by Benjamin Bruneau, ARTINFO Canada


An island of enraptured silence floated amidst the sea of noise, crowds, and Scotiabank Nuit Blanche revelry at Toronto City Hall, Saturday night, as the Council Chambers played host to international superstar theorist Slavoj Žižek.

Nominally part of curators Janine Marchessault and Michael Prokopow’s "Museum for the End of the World," Žižek and co-presenters Arthur Kroker and Brenda Longfellow spoke about technology, biology, politics, and capital, as the world as we know it surely pushes towards some kind of termination.

Žižek was in absolute top form, rhapsodizing at length -- nearly two-and-a-half hours -- to a rapturous, mostly young audience, which nearly rioted when city officials tried to oust members from the aisles and stairways. Bemusedly, Žižek admonished their squeaky-wheel tactics: “If I were you, I’d have agreed and said, ‘Yes, it’s terrible, people shouldn’t make themselves a fire hazard’. And then I’d have stayed put.”

His wide-ranging talk moved from prohibited activities to ethnic cleansing, the cynicism of authority, Facebook and the invasion of the public by the private, internet hard-core pornography, and Casablanca, all in his trademark blend of candor, pop culture, and critical theory.

In keeping with the apocalyptic thematic, he concluded that we are entering a new epoch in humanity, and that, “effectively, the very basic dimension of what it is to be human is changing. In this sense, it’s the end of the world as we know it.” Not one to give-in to despair -- but not one to be overly optimistic, either -- Zizek said that the new human is “radically open to possibility,” but that “if we let things change the way they are, automatically, we are approaching a new, perverse, permissively authoritarian society, which will be authoritarian but in a new way.”

Slavoj Žižek at The Creative Time Summit



October 12, 2012
NYU Skirball Center for the Performing Arts


Creative Time has commissioned and presented ambitious public art projects with thousands of artists throughout New York City, across the country, around the world—and now even in outer space.
Slavoj Žižek, author of Less than Nothing and the upcoming The Year of Dreaming Dangerously, will be one of the keynote speakers at the fourth annual Creative Time Summit at NYU’s Skirball Center in New York City on October 12-13. Curated by Nato Thomspson, since 2009 the Creative Time Summit has brought international artists, curators, critics, scholars, and activists to discuss art and its transformative effect on politics. 

Creative Time Summit 2012: Confronting Inequality will focus on global economic inequity and boasts presenters including Mike Daisey, Jeff Chang, Suzanne Lacy,Josh MacPhee, Hito Steyerl and Rebel Díaz.