Wednesday, October 19, 2011

Multitude Ruling Itself?

Objet a as Inherent Limit to Capitalism:
on Michael Hardt and Antonio Negri,” by Slavoj Žižek

Please see the full essay at:

http://www.lacan.com/zizmultitude.htm

What makes Empire and Multitude such a refreshing reading (clearly the definitive exercises in Deleuzian politics) is that we are dealing with books which refer to and function as the moment of theoretical reflection of-one is almost tempted to say: are embedded in-an actual global movement of anti-capitalist resistance: one can sense, behind the written lines, the smells and sounds of Seattle, Genoa and Zapatistas. So their theoretical limitation is simultaneously the limitation of the actual movement.

Hardt's and Negri's basic move, an act which is by no means ideologically neutral (and, incidentally, which is totally foreign to their philosophical paradigm, Deleuze!), is to identify (to name) "democracy" as the common denominator of all today's emancipatory movements: "The common currency that runs throughout so many struggles and movements for liberation across the world today - at local, regional, and global levels - is the desire for democracy." 1 Far from standing for a utopian dream, democracy is "the only answer to the vexing questions of our day, /.../ the only way out of our state of perpetual conflict and war." 2 Not only is democracy inscribed into the present antagonisms as an immanent telos of their resolution; even more, today, the rise of the multitude in the heart of capitalism "makes democracy possible for the first time" 3 Till now, democracy was constrained by the form of the One, of the sovereign state power; "absolute democracy" ("the rule of everyone by everyone, a democracy without qualifiers, without ifs or buts," 4 only becomes possible when "the multitude is finally able to rule itself." 5

For Marx, highly organized corporate capitalism already was "socialism within capitalism" (a kind of socialization of capitalism, with the absent owners becoming more and more superfluous), so that one only needs to cut the nominal head off and we get socialism. For Negri and Hardt, however, the limitation of Marx was that he was historically constrained to the centralized and hierarchically organized machinical automatized industrial labor, which is why their vision of "general intellect" was that of a central planning agency; it is only today, with the rise of the "immaterial labor" to the hegemonic role, that the revolutionary reversal becomes "objectively possible." This immaterial labor extends between the two poles of intellectual (symbolic) labor (production of ideas, codes, texts, programs, figures: writers, programmers...) and affective labor (those who deal with our bodily affects: from doctors to baby-sitters and flight attendants). Today, immaterial labor is "hegemonic" in the precise sense in which Marx proclaimed that, in 19th century capitalism, large industrial production is hegemonic as the specific color giving its tone to the totality - not quantitatively, but playing the key, emblematic structural role: "What the multitude produces is not just goods or services; the multitude also and most importantly produces cooperation, communication, forms of life, and social relationships." 6 What thereby emerges is a new vast domain the "common": shared knowledge, forms of cooperation and communication, etc., which can no longer be contained by the form of private property. This, then, far from posing a mortal threat to democracy (as conservative cultural critics want us to believe), opens up a unique chance of "absolute democracy". Why? In immaterial production, the products are no longer material objects, but new social (interpersonal) relations themselves - in short, immaterial production is directly biopolitical, the production of social life. It was already Marx who emphasized how material production is always also the (re)production of the social relations within which it occurs; with today's capitalism, however, the production of social relations is the immediate end/goal of production: "Such new forms of labor /.../ present new possibilities for economic self-management, since the mechanisms of cooperation necessary for production are contained in the labor itself." 7 The wager of Hardt and Negri is that this directly socialized, immaterial production not only renders owners progressively superfluous (who needs them when production is directly social, formally and as to its content?); the producers also master the regulation of social space, since social relations (politics) IS the stuff of their work: economic production directly becomes political production, the production of society itself. The way is thus open for "absolute democracy," for the producers directly regulating their social relations without even the detour of democratic representation.

There is a whole series of concrete questions that this vision gives rise to. Can one really interpret this move towards the hegemonic role of immaterial labor as the move from production to communication, to social interaction (in Aristotelian terms, from techne as poiesis to praxis: as the overcoming of the Arendtian distinction between production and vis activa, or of the Habermasian distinction between instrumental and communicational reason)? How does this "politicization" of production, where production directly produces (new) social relations, affect the very notion of politics? Is such an "administration of people" (subordinated to the logic of profit) still politics, or is it the most radical sort of depoliticization, the entry into "post-politics?" And, last but not least, is democracy by necessity, with regard to its very notion, non-absolute? There is no democracy without a hidden, presupposed elitism. Democracy is, by definition, not "global"; it HAS to be based on values and/or truths which one cannot select "democratically." In democracy, one can fight for truth, but not decide what IS truth. As Claude Lefort and others amply demonstrated, democracy is never simply representative in the sense of adequately re-presenting (expressing) a pre-existing set of interests, opinions, etc., since these interests and opinions are constituted only through such representation. In other words, the democratic articulation of an interest is always minimally performative: through their democratic representatives, people establish what their interests and opinions are. As Hegel already knew, "absolute democracy" could only actualize itself in the guise of its "oppositional determination," as terror. There is, thus, a choice to be made here: do we accept democracy's structural, not just accidental, imperfection, or do we also endorse its terrorist dimension? However, much more pertinent is another critical point which concerns Negri and Hardt's neglect of the FORM in the strict dialectical sense of the term.

[….]

Negri and Hardt are right in rendering problematic the standard Leftist revolutionary notion of "taking power": such a strategy accepts the formal frame of the power structure and aims merely at replacing one bearer of power ("them") with another ("us"). As it was fully clear to Lenin in his State and Revolution, the true revolutionary aim is not to "take power," but to undermine, disintegrate, the very apparatuses of state power. Therein resides the ambiguity of the "postmodern" Leftist calls to abandon the program of "taking power": do they imply that one should ignore the existing power structure, or, rather, limit oneself to resisting it by way of constructing alternative spaces outside the state power network (the Zapatista strategy in Mexico); or do they imply that one should disintegrate, pull the ground of, the state power, so that the state power will simply collapse, implode? In the second case, the poetic formulas about the multitude immediately ruling itself do not suffice.

Hardt and Negri conform here a sort of triad whose other two terms are Ernesto Laclau and Giorgio Agamben. The ultimate difference between Laclau and Agamben concerns the structural inconsistency of power: while they both insist on this inconsistency, their position towards it is exactly opposite. Agamben's focusing on the vicious circle of the link between legal power (the rule of Law) and violence is sustained by the messianic utopian hope that it is possible to radically break this circle and step out of it (in an act of the Benjaminian "divine violence"). In The Coming Community, he refers to Saint Thomas's answer to the difficult theological question: What happens to the souls of unbaptized babies who have died in ignorance of both sin and God? They committed no sin, so their punishment

cannot be an afflictive punishment, like that of hell, but only a punishment of privation that consists in the perpetual lack of the vision of God. The inhabitants of limbo, in contrast to the damned, do not feel pain from this lack: /.../ they do not know that they are deprived of the supreme good. /.../ The greatest punishment - the lack of the vision of God - thus turns into a natural joy: irremediably lost, they persist without pain in divine abandon. 13

Their fate is for Agamben the model of redemption: they "have left the world of guilt and justice behind them: the light that rains down on them is that irreparable light of the dawn following the novissima dies of judgment. But the life that begins on earth after the last day is simply human life." 14 (One cannot but recall here the crowd of humans who remain on stage at the end of Wagner's Twilight of Gods, silently witnessing the self-destruction of gods - what if they are the happy ones?) And, mutatis mutandis, the same goes for Negri and Hardt who perceive resistance to power as preparing the ground for a miraculous LEAP into "absolute democracy" in which multitude will directly rule itself - at this point, the tension will be resolved, freedom will explodes into eternal self-proliferation. The difference between Agamben and Negri and Hardt could be best apprehended by means of the good old Hegelian distinction between abstract and determinate negation: although Negri and Hardt are even more anti-Hegelian than Agamben, their revolutionary LEAP remains an act of "determinate negation," the gesture of formal reversal, of merely setting free the potentials developed in global capitalism which already is a kind of "Communism-in-itself"; in contrast to them, Agamben - and, again, paradoxically, in spite of his animosity to Adorno - outlines the contours of something which is much closer to the utopian longing for the ganz Andere (wholly Other) in late Adorno, Horkheimer and Marcuse, to a redemptive leap into a non-mediated Otherness.

Laclau and Mouffe, on the contrary, propose a new version of the old Edouard Bernstein's arch-revisionist motto "goal is nothing, movement is all": the true danger, the temptation to be resisted, is the very notion of a radical cut by means of which the basic social antagonism will be dissolved and the new era of a self-transparent non-alienated society will arrive. For Laclau and Mouffe, such a notion disavows not only the Political as such, the space of antagonisms and struggle for hegemony, but the fundamental ontological finitude of the human condition as such - which is why, any attempt to actualize such a leap has to end up in a totalitarian disaster. What this means is that the only way to elaborate and practice livable particular political solutions is to admit the global a priori deadlock: we can only solve particular problems against the background of the irreducible global deadlock. Of course, this is no way entails that political agents should limit themselves to solving particular problems, abandoning the topic of universality: for Laclau and Mouffe, universality is impossible and at the same time necessary, i.e., there is no direct "true" universality, every universality is always-already caught into the hegemonic struggle, it is an empty form hegemonized (filled in) by some particular content which, at a given moment and in a given conjuncture, functions as its stand-in.

Are, however, these two approaches really as radically opposed as it may appear? Does Laclau and Mouffe's edifice not also imply its own utopian point: the point at which political battles would be fought without remainders of "essentialism," all sides fully accepting the radically contingent character of their endeavors and the irreducible character of social antagonisms. On the other hand, Agamben's position is also not without its secret advantages: since, with today's biopolitics, the space of political struggle is closed and any democratic-emancipatory movements are meaningless, we cannot do anything but comfortably wait for the miraculous explosion of the "divine violence." As for Negri and Hardt, they bring us back to the Marxist confidence that "history is on our side," that historical development is already generating the form of the Communist future.

If anything, the problem with Negri and Hardt is that they are TOO MUCH Marxists, taking over the underlying Marxist scheme of historical progress: like Marx, they celebrate the "deterritorializing" revolutionary potential of capitalism; like Marx, they locate the contradiction within capitalism, in the gap between this potential and the form of the capital, of the private-property appropriation of the surplus. In short, they rehabilitate the old Marxist notion of the tension between productive forces and the relations of production: capitalism already generates the "germs of the future new form of life," it incessantly produces the new "common," so that, in a revolutionary explosion, this New should just be liberated from the old social form. However, precisely as Marxists, on behalf of our fidelity to Marx's work, we should discern the mistake of Marx: he perceived how capitalism unleashed the breath-taking dynamics of self-enhancing productivity - see his fascinated descriptions of how, in capitalism, "all things solid melt into thin air," of how capitalism is the greatest revolutionizer in the entire history of humanity; on the other hand, he also clearly perceived how this capitalist dynamics is propelled by its own inner obstacle or antagonism - the ultimate limit of capitalism (of the capitalist self-propelling productivity) is the Capital itself, i.e. the capitalist incessant development and revolutionizing of its own material conditions, the mad dance of its unconditional spiral of productivity, is ultimately nothing but a desperate flight forward to escape its own debilitating inherent contradiction... Marx's fundamental mistake was to conclude, from these insights, that a new, higher social order (Communism) is possible, an order that would not only maintain, but even raise to a higher degree and effectively fully release the potential of the self-increasing spiral of productivity which, in capitalism, on account of its inherent obstacle ("contradiction"), is again and again thwarted by socially destructive economic crises. In short, what Marx overlooked is that, to put it in the standard Derridean terms, this inherent obstacle/antagonism as the "condition of impossibility" of the full deployment of the productive forces is simultaneously its "condition of possibility": if we abolish the obstacle, the inherent contradiction of capitalism, we do not get the fully unleashed drive to productivity finally delivered of its impediment, but we lose precisely this productivity that seemed to be generated and simultaneously thwarted by capitalism - if we take away the obstacle, the very potential thwarted by this obstacle dissipates... (Therein would reside a possible Lacanian critique of Marx, focusing on the ambiguous overlapping between surplus-value and surplus-jouissance). So the critics of Communism were in a way right when they claimed that the Marxian Communism is an impossible fantasy - what they did not perceive is that the Marxian Communism, this notion of a society of pure unleashed productivity outside the frame of Capital, was a fantasy inherent to capitalism itself, the capitalist inherent transgression at its purest, a strictly ideological fantasy of maintaining the thrust to productivity generated by capitalism, while getting rid of the "obstacles" and antagonisms that were - as the sad experience of the "really existing capitalism" demonstrates - the only possible framework of the effective material existence of a society of permanent self-enhancing productivity.

So where, precisely, did Marx go wrong with regard to the surplus-value? One is tempted to search for an answer in the key Lacanian distinction between the object of desire and the surplus-enjoyment as its cause. Recall the curl of the blond hair, this fatal detail of Madeleine in Hitchcock's Vertigo. When, in the love scene in the barn towards the end of the film, Scottie passionately embraces Judy refashioned into the dead Madeleine, during their famous 360-degree kiss, he stops kissing her and withdraws just long enough to steal a look at her newly blond hair, as if to reassure himself that the particular feature which makes her into the object of desire is still there... So there is always a gap between the object of desire itself and its cause, the mediating feature or element that makes this object desirable. And, back to Marx: what if his mistake was also to assume that the object of desire (the unconstrained expanding productivity) would remain even when deprived of the cause that propels it (the surplus-value)? The same holds even more for Deleuze, since he develops his theory of desire in direct opposition to the Lacanian one. Deleuze asserts the priority of desire over its objects: desire is a positive productive force which exceeds its objects, a living flow proliferating through the multitude of objects, penetrating them and passing through them, in no need of any fundamental lack or "castration" that would serve as its foundation. For Lacan, however, desire has to be sustained by an object-cause: not some primordial incestuous Lost Object on which desire remains forever transfixed and whose unsatisfying substitutes all other objects are, but a purely formal object which causes us to desire objects that we encounter in reality. This object-cause of desire is thus not transcendent, the inaccessible excess forever eluding our grasp, but behind the subject's back, something that from within directs desiring. And, as is the case with Marx, it is Deleuze's failure to take into account this object-cause that sustains the illusory vision of unconstrained productivity of desire - or, in the case of Hardt and Negri, the illusory vision of multitude ruling itself, no longer constrained by any totalizing One. We can observe here the catastrophic political consequences of the failure to develop what may appear a purely academic, "philosophical," notional distinction.

[….]

Tuesday, October 18, 2011

http://thehill.com/blogs/blog-briefing-room/news/187889-bernie-sanders-calls-for-bank-boycott

Bernie Sanders calls for bank boycott

By Jonathan Easley - 10/17/11 10:13 AM ET

Sen. Bernie Sanders (I-Vt.) doubled down on his anti-Wall Street rhetoric over the weekend, encouraging protesters to withdraw money from the major banks and calling the financial industry “the most powerful, dangerous and secretive” institution in the United States.

Monday, October 17, 2011

How Wall Street Occupies Washington

by Zaid Jilani, ThinkProgress
http://www.truth-out.org/other-occupation-how-wall-street-occupies-washington/1318774400
[....]
1. Wall Street Occupies Washington With Massive Campaign Contributions: On Nov. 12, 1999 President Bill Clinton signed into law the repeal of the Glass-Steagall Act of 1933, a Depression-era law that created a firewall between commercial and investment banking. Repealing this law was one of the top legislative goals of the financial industry. In the 1998 election cycle, commercial banks spent $18 million on congressional campaign contributions, with 65 percent going to Republicans and 35 percent going to Democrats. Securities and investment firms donated over $40 million. The mega-bank Citibank spent $1,954,191 during that cycle, and it was soon able to merge with Travelers Group as a result of the repeal of banking regulations. Between 2008 and 2010, when new financial regulations were being written following the financial crisis, the finance, insurance, and real estate industries spent $317 million in federal campaign contributions, with $73 million of that coming from Political Action Committees (PACs). The hold of campaign contributions is starkly bipartisan. As Sen. Jim Webb (D-VA) explained to Real Clear Politics in an interview last year, he couldn’t get a vote on a windfall profits tax on bonuses at bailed out banks due to campaign contributors. “I couldn’t even get a vote,” Webb explained. “And it wasn’t because of the Republicans. I mean they obviously weren’t going to vote for it. But I got so much froth from Democrats saying that any vote like that was going to screw up fundraising.”

2. Wall Street Occupies Washington With Its Lobbyists: One way to control what Washington lawmakers do is to give them access to exclusive funding streams that allow them to finance their campaigns. But yet another is to control the stream of information. From the deregulatory period of 1998 to 2009, the financial sector spent $3.3 billion on lobbyists. In 2007, the financial industry employed 2,996 separate lobbyists, five for every member of Congress. During the debate over financial reform last year, the industry flooded the nation’s capital with its own lobbyists. On just one issue — regulating derivatives — financial industry lobbyists outnumbered consumer group lobbyists and other pro-reform advocates by 11 to 1. In fact, by 2010, the industry had hired a whopping 1,600 former federal employees as lobbyists. Included among these lobbyists were high-ranking former public leaders like former Democratic House Majority Leader Dick Gephardt (MO) and Kenneth Duberstein, Ronald Reagan’s chief of staff. Much of this lobbying is done through elite K Street firms that specialize in hiring government insiders. Yet there are also bank-funded front groups like the Chamber of Commerce that deploy lobbyists on behalf of the big banks.

3. Wall Street Literally Occupies Washington By Placing Its Staff In Government Positions: Shortly after Clinton signed into law the repeal of the firewall between commercial and investment banking, his Treasury Secretary andGoldman Sachs alumni Robert Rubin left the government to work for newly-formed Citigroup — whose merger was only possible thanks to the policies Rubin championed and enacted. His compensation at Citigroup topped $15 million, not including stock options. Goldman’s alumni are found across the government, including bailout architect and former Treasury Secretary Hank Paulson, Paulson’s bailout chief Neil Kashkari, and Commodity Futures Trading Commission chairman Gary Gensler. The revolving door, of course, works both ways. Obama budget director Peter Orszag joined Citigroup shortly after leaving the government. This is just a small sampling of Wall Street’s staffers who found their way into government.
[....]

Global Wave of Protests

“Global 99 Percent Rally Worldwide in Solidarity With Occupy Wall Street”

by: Cara Buckley and Rachel Donadio, The New York Times News Service

[....]

Buoyed by the longevity of the Occupy Wall Street encampment in Manhattan, a wave of protests swept across Asia, the Americas and Europe on Saturday, with hundreds and in some cases thousands of people expressing discontent with the economic tides in marches, rallies and occasional clashes with the police.

In Rome, a rally thick with tension spread over several miles. Small groups of restive young people turned a largely peaceful protest into a riot, setting fire to at least one building and a police van and clashing with police officers, who responded with water cannons and tear gas. The police estimated that dozens of protesters had been injured, along with 26 law enforcement officials; 12 people were arrested.

At least 88 people were arrested in New York, including 24 accused of trespassing in a Greenwich Village branch of Citibank and 45 during a raucous rally of thousands of people in and around Times Square.

More than 1,000 people filled Washington Square Park at night, but almost all of them left after dozens of police officers with batons and helmets streamed through the arch and warned that they would be enforcing a midnight curfew. Fourteen were arrested for remaining in the park.

Other than Rome’s, the demonstrations across Europe were largely peaceful, with thousands of people marching past ancient monuments and gathering in front of capitalist symbols like the European Central Bank in Frankfurt. Similar scenes unfolded across cities on several continents, including in Sydney, Australia; Tokyo; Hong Kong; Toronto; Chicago; and Los Angeles, where several thousand people marched to City Hall as passing drivers honked their support.

But just as the rallies in New York have represented a variety of messages — signs have been held in opposition to President Obama yards away from signs in support of him — so did Saturday’s protests contain a grab bag of sentiments, opposing nuclear power, political corruption and the privatization of water.

Yet despite the difference in language, landscape and scale, the protests were united in frustration with the widening gap between the rich and the poor.

“I have no problem with capitalism,” Herbert Haberl, 51, said in Berlin. “But I find the way the financial system is functioning deeply unethical. We shouldn’t bail out the banks. We should bail out the people.”

[....]

The Problem is the System

Slavoj Žižek at Occupy Wall Street:

“So do not blame people and their attitudes: the problem is not corruption or greed, the problem is the system that pushes you to be corrupt. The solution is not ‘Main street, not Wall street,’ but to change the system where main street cannot function without Wall street.”

Collective Participation in Direct Action

http://chronicle.com/article/Intellectual-Roots-of-Wall/129428/

[....]

"The People's Library" in New York City, which has been copied at other Occupy protest sites, houses nearly 1,200 books in cardboard boxes that are protected against the elements by clear plastic sheeting.

"I really am amazed for the respect they have for the word," Eric Seligson, the librarian at the protest site on Wall Street, told Esquire. "There's a real reverence for what has been written that has surprised me, since they eschew whatever came before, all the thought that came before."

The defining aspect of Occupy Wall Street, its emphasis on direct action and leaderless, consensus-based decision-making, is most clearly embodied by its General Assembly, in which participants in the protest make group decisions both large and small, like adopting principles of solidarity and deciding how best to stay warm at night.

This intensive and egalitarian process is important both procedurally and substantively, Mr. Graeber says. "One of the things that revolutionaries have learned over the course of the 20th century is that the idea of the ends justifying the means is deeply problematic," he says. "You can't create a just society through violence, or freedom through a tight revolutionary cadre. You can't establish a big state and hope it will go away. The means and ends have to be the same."

When 2,000 people make a decision jointly, it is an example of direct action, or direct democracy, Mr. Graeber says. "It makes you feel different to go to a meeting where your opinions are really respected."

Or, as an editorial in the protest's house publication, Occupied Wall Street Journal, put it, "This occupation is first about participation."

[....]

We Need Large, Coordinated Social Actions

http://www.guardian.co.uk/culture/2011/oct/16/slavoj-zizek-perverts-guide-ideology?newsfeed=true

[....]

"We all accept liberal democratic capitalism, even during this current pan-European disaster," Žižek says. "We timidly ask, 'Oh, can we have a few more rights for minorities? A little more healthcare?' But nobody questions the frame. And that is the real triumph of ideology."

Cinema remains the vehicle, though. The last few days have seen reconstructions of Full Metal Jacket, Taxi Driver, Stalinist propaganda piece The Fall of Berlin, cult sci-fi movie They Live – and The Sound of Music, in which the star skewers commodity fetishism while dressed in a cassock. But whatever the costume, whatever the scenario, the constant is Žižek, his analysis and context for all this delivered at a breakneck pace, spilling out in a torrent of lisps, mispronunciations and frantic hand gestures. This is the same cartoonish, brilliant Žižek who has reached vast audiences with his writing (more than 50 books) and his live shows. Žižek, clearly, is not your average Slovenian philosophy professor.

As Fiennes watches our scene replayed on a monitor, Žižek shambles up, still in his pyjamas. "Sophie, we must have time today for me to re-enter the tank." I notice, off in a corner, a high-sided water tank. It was used yesterday to recreate Titanic, with Žižek in a lifeboat. The water has acquired a scum overnight, but Žižek is adamant: "Today I must be in the water."

Fiennes, tall and unflappable, explains that her star has decided the movie must have an underwater finale. "He's desperate for it to be a proper film with a proper happy ending," she smiles. "He's just not sure what it is yet."

Satisfied there will be time to take a dip, Žižek resumes the monologue he keeps up when in company. To be around him is to be privy to a gregarious, open-ended address on, well, take your pick: Shostakovich, cloud computing, industrial rock band Rammstein, Malian cotton production, Icelandic crime fiction, the 1,200-page opus on Hegel he's just finished writing, all punctuated by a supply of dirty jokes involving married couples in the former Yugoslavia.

"I have two questions for you," he says to me. "Do you ever receive bribes from film producers to favourably review their films, and did you ever interview the American actress Liv Tyler?" As anyone who's read Žižek's madly interwoven works of theory will know, film is his prism: rare is the argument he can't illustrate with a reference to Hitchcock. But then it may be the perfect art form for a thinker who treasures contradiction, a medium of simple surfaces and hidden depths that can be both trashy and transcendental.

A recent visit to China allowed him access to a vast range of dirt-cheap pirate DVDs. "They are really such wonderful quality now. Flawless! I bought Antonioni, I bought Woody Allen." He segues into the links between Zhang Yimou, director of 2004's House of Flying Daggers, and the Chinese government; his respect for film-maker Zack Snyder (Watchmen, 300); and his suspicion of European art movies. "Even Bergman, who made many films I like, when I see his Cries and Whispers, I become Goebbels. 'Just burn this!' Gah!"

Unsurprisingly, Žižek's soliloquies to camera, while based on passages from his books, leap off in all directions. But today the clock is ticking. Apart from Seconds and Titanic, the schedule also requires a re-creation of The Dark Knight, with Žižek addressing Batman in a Gotham interrogation room. As the crew prepares, he regales them with gags about Balkan foreplay (the man wields a rock). Then hush, and action.

With his gaze fixed on a stand-in caped crusader, he begins: "In psychoanalytic treatment, it is crucial the analyst and his patient are not confronted face to face – because psychoanalysis knows the face is a lie." Then he's off, citing George Bush's notorious glimpse of Putin's "soul" and critiquing The Omen, before dissecting the use of white lies among colleagues.

The connections keep coming. He reviews the brutal logic of the Iraq war, the silence of economists before the financial collapse – and then glides back to Christopher Nolan's movie. "The gravest implication about The Dark Knight is that it elevates the lie into the principle of society, as if for society to operate at all, there has to be a lie, as if to tell the truth must automatically mean chaos –" At this point, Batman stumbles forward. There will have to be another take.

Žižek smiles resignedly. At 15 he wanted to direct films; at no point did he long to be an actor. Despite his geniality, he insists he's no natural performer. "Never in my life did I dance, and never did I sing. It is too obscene for me psychologically. Even in private, I am unable. And yet here I am, singing and dancing."

Leftwing multiple orgasms

Fiennes compares Žižek's thought process to a musician unable to stop playing. The film-maker has documented many mercurial subjects: dancer Michael Clark, artist Anselm Kiefer, fellow director Lars von Trier. But with Žižek, beneath his near-constant teasing, there's clearly mutual respect. He's the star, but the film is hers: before shooting, she combs his work for possible scenarios; afterwards, she edits hours of footage; in between, she wrangles him. "It's always collaborative. He needs to know I won't bully him. Making The Pervert's Guide to Cinema was a huge controlled experiment, and so is this."

At 62, Žižek does tire. But even as he takes a rest, he stares at the water tank. You might think the demise of global capitalism would have already given this Marxist his perfect closing scene, He says not: "I am a communist, but I am not an idiot. What to me is tragic in all these events – that give old-fashioned leftists multiple orgasms – is where is any concrete principle of reorganisation? What is new? Because that is what is needed. But I do not see it. Liberal democratic capitalism is approaching its limit, and in its place we need large, coordinated social actions. Otherwise the future will resemble one of my favourite films, Terry Gilliam's Brazil. Not the old fascism, but a fascism of buffoons. I am not a catastrophist, but also I am not a Marxist who thinks history is on our side. No!"

[....]