pp. 120-121: This is also one way of specifying the meaning of Lacan's assertion of the subject's constitutive 'decentrement': its point is not that my subjective experience is regulated by objective unconscious mechanisms which are 'decentred' with regard to my self-experience and, as such, beyond my control (a point asserted by every materialist) but, rather, something much more unsettling: I am deprived of even my most intimate 'subjective' experience, the way things 'really seem to me', that of the fundamental fantasy which constitutes and guarantees the kernel of my being, since I can never consciously experience and assume it....According to the standard view, the dimension which is constitutive of subjectivity is that of the phenomenal (self-)experience--I am a subject the moment I can say to myself: 'No matter what unknown mechanism governs my acts, perceptions and thoughts, nobody can take from me what I see and feel now.' Lacan turns this standard view around: the 'subject of the signifier' emerges only when a key aspect of the subject's phenomenal (self-)experience (his fundamental fantasy) becomes inaccessible to him; that is to say: is 'primordially repressed'. At its most radical, the Unconscious is the inaccessible phenomenon, not the objective mechanism which regulates my phenomenal experience.
p. 121: [....] fantasy is objectively subjective (it designates an innermost subjective content, a product of fantasizing, which, paradoxically, is 'desubjectivized', rendered inaccessible to the subject's immediate experience).
pp. 121-122: It would, however, be a serious misunderstanding to read this radical decentrement involved in the notion of fetishism (I am deprived of my innermost beliefs, fantasies, etc.) as 'the end of Cartesian subjectivity'. What this deprivation (i.e. the fact that a phenomenological reconstitution which would generate 'reified' belief out of the presupposed 'first-person' belief necessarily fails, the fact that substitution is original, the fact that even in the case of the most intimate beliefs, fantasies, etc., the big Other can 'do it for me') effectively undermines is the standard notion of the so-called 'Cartesian Theatre,' the notion of a central Screen of Consciousness which forms the focus of subjectivity, where (at a phenomenal level) 'things really happen'. In clear contrast, the Lacanian subject qua $, the void of self-referential negativity, is strictly correlative to the primordial decentrement: the very fact that I can be deprived of even my innermost psychic ('mental') content, that the big Other (or fetish) can laugh for me, believe for me, and so on, is what makes me $, the 'barred' subject, the pure void with no positive substantial content. The Lacanian subject is thus empty in the radical sense of being deprived of even the most minimal phenomenological support: there is no wealth of experiences to fill in its void. And Lacan's premiss is that the Cartesian reduction of the subject to pure cogito already implies such a reduction of every substantial content, including my innermost 'mental' attitudes--the notion of 'Cartesian Theatre' as the original locus of subjectivity is already a 'reification' of the subject qua $, the pure void of negativity.
Two interconnected conclusions are thus to be drawn from this chapter. In contrast to the commonplace according to which the new media turn us into passive consumers who just stare blindly at the screen, one should claim that the so-called threat of the new media lies in the fact that they deprive us of our passivity, of our authentic passive experience, and thus prepare us for the mindless frenetic activity. In contrast to the notion that we are dealing with a subject the moment an entity displays signs of a phantasmic 'inner life' which cannot be reduced to external behaviour, one should claim that what characterizes subjectivity is rather the gap which separates the two: fantasy, at its most elementary, is inaccessible to the subject, and it is this inaccessibility which makes the subject 'empty'. We thus obtain a relationship which totally subverts the standard notion of the subject who directly experiences himself, his 'inner states': an 'impossible' relationship between the empty, non-phenomenal subject and the phenomena which forever remain 'desubjectivized', inaccessible to the subject--the very relationship registered by Lacan's formula of fantasy, $ ◊ a.
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